Today’s image is from another bleached/reclaimed Fuij FC-100C instant print, taken at the Broadview subway station in Toronto. I posted it on flickr as I was going out the door this morning, and didn’t have time to add any description. It quickly got a couple of nice comments, but I think one person made the assumption the look was all done in post. Given the plethora of apps and plug-ins available today to make digital images look like grungy lo-fi analog images, it was not an unreasonable assumption; most viewers would have done the same. I just can’t help but notice the irony of the situation.
Toronto is testing some new subway cars, and one of the nice features is that with these new cars the train is open from end to end, so you can walk between cars. From a photographic point of view, seeing right to the end of the train offers some interesting photographic opportunities. I had been wanting to shoot one of the new trains with a super-wide angle, and this past Saturday morning I lucked out. I had my Leica IIIf with me, with the 21mm/f4 Voigtlander Color Skopar lens. I had to shoot wide-open at 1/40 second, but I did get some that were sharp.
I’m having fun working on one project right now, a lo-fi iPhone project capturing the experience of my daily commute to and from work on the TTC (Toronto Transit Commission). I go the work early, and am normally on the subway by about 6:20 a.m. At that time of day, one does not see the rich latte drinkers, or other privileged classes of Toronto that for so many people form their only impression of the city. One sees the working class, an awful lot of diversity, and often, sheer fatigue, which I tried to capture in the photo below, taken with the iPhone 3GS camera, then given a vintage, lo-fi effect which I feel was ideally suited for the mood.