Normally ultra-wide lenses and portraiture don’t go all that well together. But if the angle is right the results can be interesting, I think. Because his face is in the middle of the frame and is straight on, there is minimal distortion.
In the Spotlight
I was working on macro photography this morning, and one of the props I was using was a maple leaf I had preserved from last fall. I was playing around with lighting, and this look made me feel like Canada was alone in a harsh spotlight, facing the adversary that the U.S. under Trump has become.

Inside an Installation
Every year the Winter Stations art installation exhibit takes place by the shores of Lake Ontario in Toronto.
I went down this morning to take advantage of some bright sunshine, taking a fisheye lens along with my Sony a6100 camera body. I quite liked this piece, and the fisheye lens allowed me to feel as if I was inside it.
An Image of Balance
I took this portrait of my friend Michael yesterday.
I recently purchased a TTArtisan 75mm f/1.5 lens (a copy of a famous and very expensive Zeis BIotar lens from the early-mid twentieth century), and this is the first portrait I took with it that I am really happy with. It’s a manual focus lens, and my eyes are not getting any younger, so focusing wide open does have its challenges.
A friend looked may the portrait and said it was “balanced.” That description works for me!









