Tag: Pentax

On the Path

It was a bright (if cold) Sunday morning this past weekend, so I decided to go to High Park (and take the entrance near the Keele subway station). I had a couple of cameras with me; this image was taken with an old Pentax Spotmatic, with a 50mm/2.8 Carl Zeiss Jena lens mounted. I love the look of the images from this lens! (Shot on Kodak Tmax 400 film)

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Playing Chess

Another image from the roll shot using the Pentax 200mm/f4 lens, this time of chess players in front of Metropolitan Church in downtown Toronto. There is always an interesting collection of characters in this location!

Playing Chess


(Pentax Spotmatic, 200mm/f4 Super Takumar lens, HP5 film at box speed, developed in D-23 1:1 15 minutes)

From a Distance

I finally got around to developing a roll I shot earlier this year: Ilford HP5 film, using a Pentax Spotmatic and a Pentax Super Takumar 200mm/f4 lens. Hard to beat the balance and feel of the Pentax lenses! Some street photography purists poo-poo using telephoto lenses for street work, calling it cheating, but I was there and this was the lens on the camera . . .

On the Steps


Pentax Spotmatic, 200mm/4 Super Takumar lens, HP5 film at box speed developed for 15 minute in D-23 1:1)


I keep get drawn back to this disused railroad in the Don Valley in Toronto. Apparently it has only been about 6 years since it was last used, but it doesn’t take long for nature to start reclaiming it.

Old Railroad


(Pentax K1000 35mm SLR, 28mm/f2.8 SMC Pentax Lens with yellow filter,
shot on Rollei 80s film developed in Rodinal 1+50 for 14 minutes) 

Match Made In Heaven

Yesterday I had a great shoot in Guild Wood Park with frequent creative partner Arnika Autumnstone. This shoot was the first time I used Rollei 80s film for female portraiture, and I am hooked on the results —  I just love the skin tones I get with this film! It will be my go to film for this kind of shot from now on!

Joanna in Guild Wood

(Pentax Spotmatic SP, 135mm/3.5 Super Takumar lens)



I have a few “Wallflowers” in my camera collection: cameras that I just never seem to get around to using. The camera I used this morning shooting in a Park in Toronto near Yonge/St. Clair is one example: one of three Pentax Spotmatic 35mm SLR’s I got for next to nothing sometime ago. The bodies were cheap because the meters didn’t work, but everything else certainly does — the Spotmatic has a lovely solid feel, and the shutter sounds like it will last forever. It is easy to see why the Spotmatic is considered a classic.

Twisted Path 1


(Pentax Spotmatic SP, 55/1.8 Pentax Tukamar lens, Ilford Delta 400 film at EI 200,
developed in Microdol-X 1:1, 14.5 minutes @ 20 C)

Everyday Item

I’ve walked past this fire hydrant many times on the way to work, and always found it interesting, because of its texture and symmetry. I took this picture with a Pentax ME Super 35mm SLR and 50mm f2 lens, a combo I got on eBay for not much more than the price of a couple of disposable cameras! It is the beauty in my recent Beauty and the Beast post. It’s a lovely camera to hold and use.

Fire Hydrant #1

Beauty and the Beast

These two cameras were both made by Pentax, and both are Single Lens Reflex designs, but that is where the similarity ends. One (the ME Super) is a beautifully compact and nimble 35mm model, the other shoots large 6×7 cm negatives on 120 size roll film. I had both cameras with me yesterday on a photo shoot for my “Women and Cameras Series.” The Me Super is a little motor scooter of a camera, and the 6×7 is a truck. 🙂

Beauty and the Beast

After the shoot as my subject and I were walking down Queen Street East, a guy at an outdoor cafe spotted the ME Super my exclaimed “is that a Pentax ME? I used to have one!” He had a huge smile on his face, and it was great to see a film camera bring back happy memories to a total stranger.

The other item of note from yesterday is not so positive: I had arranged to meet my model at a park on Queen Street. I get there, and the park (containing a playground and wading pool) had a good number of children and their caregivers present. I realized that as a middle-aged man, unaccompanied, with a camera over my shoulder I would be the subject of suspicion at the very least, and perhaps hostility (especially if I had my camera anywhere near my eye), so I felt it prudent to sit on a bench by the sidewalk, as far from the children as possible. It was one of those guilty until proven innocent situations that are sadly so common today.