Museum Subway Station, Toronto.
Nikon F2, 50mm/1.4 Nikkor lens
JCH StreetPan 400 film @ E.I. 320
developed in HC-110 Dilution B
For a few years now I have made it my own little ritual to go out for a shoot on the morning of January 1st. That way, no matter what else happens, I can say the new year is another year in which I have some at least some photography. 🙂 This morning I went to Bluffer’s Park Beach in Toronto. A shore symbolizes time to me: the waves and water are eternal, and the shore is always changing.
Nikon N90s, 28mm/2.8 Nikkor lens
Rollei RPX25 film developed in Rodinal
Yesterday afternoon I went out with my Nikon N90s, a 35mm SLR I haven’t used in some time. On it I had mounted my Tamron SP 17mm/3.5 Superwide lens, also neglected for some time. The N90s has lovely ergonomics and fits nicely in the hand, and this is the first roll I shot with the Tamron lens where I feel happy with the results. Both images below were shot on PolyPan F film, developed in Ilfosol 3.
In this post, while Grace is amazing in showing character in her posing/expression, I am actually going to talk about the character of a film I have tried for the first time: Svema Foto 200 film, made in the Ukraine, and available from The Film Photography Project. What I like about this film is the grain structure: it’s not fine grain, but it is organic, it just feels right, and it has a lovely tonality! Now if I could only get it in 100 foot bulk rolls!
Nikon F4, 85mm/1.8 Nikkor lens
Svema Foto 200 film
developed in Xtol 1+1, 10.5 minutes @ 20 C
This image is from our trip to Niagara On the Lake this past weekend. It was a gazebo, so I had to shoot it, but to me the woman stretching out in front gives the image a slightly different, almost surreal aspect; it would be a very different image without her.
Nikon F2, 28mm/2.8 Nikkor lens
Eastman 2366 film, E.I. 10, developed in Xtol 1+1 for 10 minutes @ 20 C
I had the pleasure of working with two very talented women recently. Katherine Matthews designs knitting patterns, and readers of my blog will recognize model/musician Jennifer Santos Bettencourt from previous posts. A lot of the photos I took for this shoot were close-up, in order to showcase the detail in the knitting pattern, and the level of detail in the shawl being showcased was quite impressive — I could learn a lot from Katherine regarding attention to detail! (Note: You can see Katherine’ pattern, and more images here.)
And of course working with Jennifer is always a pleasure — she understands that posing/modelling is like acting and choreography, and requires a lot of focus and awareness. It is certainly not a matter of just standing there waiting for the shutter to click.
It was also great to see how well the Jennifer and Katherine collaborated, and there was talk of future work together, so stay tuned!
Nikon F2, 85mm/f1.8 Nikkor lens
Kodak Portra 400 film, post production with Lightroom and Nik Efex