My favorite time of day.
Voigtlander Bessa R2M,
15mm/f4.5 Superwide Heliar lens
ILford Pan F+ film
Today’s image was shot using a lens I tend not to use much, but should take out more often: my Leitz Elmar 90mm/f4. This is an old Leica screw mount lens that fits on my Voigtlander Bessa R2M via an adapter. It’s prone to flare but with a lens hood it’s pretty good.
Voigtlander Bessa R2M, 90mm/f4 Leitz Elmar lens
Ilford Pan F+ film, developed in Rodinal
Last Saturday morning I was back in the Beaches area, near the R.H. Harris plant. I have shot there many times before, but this was the first time I took my new Voigtlander Superwide 15mm lens, and also the first time I shot Eastman Double-X black and white film with a read filter. Really happy with the results in these images!
Voigtlander Bessa R2M, 15mm/f4.5 Superwide Heliar lens,
25A red filter
Eastman Double-X film
A few years ago I traded away a Voigtlander 15mm/f4.5 Superwide Heliar as part of a deal. It was a good trade, but I recently felt a pining for that super wide focal length, so I bought a newer version of the lens (M-mount vs LTM, and it takes filters). I tried it out for the first time last Saturday at High Park, Toronto.
Voigtlander Bessa R2M, 15mm/f4.5 Superwide Heliar Aspherical II lens
Kodak TMax 400 developed in TMax Developer 1+4
Sunday, April 28th was Worldwide Pinhole Photography Day. It was a brilliantly sunny (if cold) day, and to celebrate some of the local film community met up in Burlington for a photowalk. Using the same 120 format pinhole camera I got recently I got the same unpredictable results. Pinhole photography in my opinion is a state of mind as much as it is a specific kind of gear.
All images shot using Fuji Neopan Acros 100 film
I am a naughty boy; I always seem to omit posting links to the film photography podcast I am part of, so here is the link to the latest episode of Classic Camera Revival! This time around we are discussing scale focus cameras.