Sometimes when I look at statues, I wonder what they might be looking at. 🙂
(Pentax Spotmatic SP, 135mm/f3.5 Pentax Super Takumar lens, Ilford HP5+ film developed in TMax developer)
Different Light
Yesterday afternoon I was at High Park in Toronto, shooting Rollei 80s film. This film has a very high red sensitivity, and to enhance this sensitivity I shot through a red 25A filter. To my eyes it seems the landscape became transformed, almost magical or alien.
(Pentax K1000 35mm SLR, 28mm/f2.8 SMC Pentax lens, 25A Red filter.Â
Rollei 80s film developed in Rodinal 1+50 for 14 minutes @ 20 degrees C)
Faded
One final image from the shoot with Arnika last weekend, and again this is one of the reclaimed negatives from a Fuji FP-100C instant print.
Scanning these negatives is a challenge — they don’t have the orange background mask that conventional C-41 negatives do, and film scanners invariably get confused. It took a couple of tries, but I ended up with this tonality tha I really like, faded in a retro kind of way that reminds me a bit of the Autochrome process from a century ago.
Out of Control
Another from my Guild Wood shoot with Arnika this past Sunday. This time, I used the negative from a Fuji FP-100C instant colour print. the black backing is removed with bleach, and the developer “goop” from the emulsion side is gently cleaned off with lukewarm water. I like the colours this process gives me: retro, but with a raw intensity, not even pretending to be accurate.
Match Made In Heaven
Yesterday I had a great shoot in Guild Wood Park with frequent creative partner Arnika Autumnstone. This shoot was the first time I used Rollei 80s film for female portraiture, and I am hooked on the results — Â I just love the skin tones I get with this film! It will be my go to film for this kind of shot from now on!
(Pentax Spotmatic SP, 135mm/3.5 Super Takumar lens)
Take What the Light Gives You
Yesterday morning was quite gloomy from a lighting perspective in Toronto, so I had to adjust my shooting plans accordingly. Â I decided to have another go with a roll of Adox CMS 20 film. This film is basically a super high contrast micro-film, which can provide conventional tonality when developed with specific developers, and/or specific development techniques that can tame the contrast. I developed this roll using Diafine two-bath developer, 3 minutes in each solution. One challenge is the fact that the dull light that made the contrast tameable also made for challenging exposures: this film is very low speed, and I was shooting at E.I. 20, which meant shooting with the lens wide open-much of the time.
(Nikon F3 35mm SLR, 28mm/2.8 Nikkor Wide-Angle lens)
Cutty Sark 1 (Above deck)
In Greenwich, England the famous Tea shipping vessel the Cutty Sark is on display. Looking at all the ropes (I guess I should call them sheets, to be accurate) one can really get a sense of how complicated and sophisticated a sailing vessel can be. In it’s own way, very high-tech!
(Mamiya 645 Pro TL, 55mm/2.8 lens, Tri-X film)
Lines
I am a sucker for lines, straight, curved, whatever: I like the way they take the eyes on a trip through the image. This maze in a park in Canterbury, England is just full of lines, and so I was hooked 🙂
(Mamiya 645 Pro TL, Â 55mm/f2.8 lens, Ilford HP5+ film developed in Kodak TMax developer)
Wallflower
I have a few “Wallflowers” in my camera collection: cameras that I just never seem to get around to using. The camera I used this morning shooting in a Park in Toronto near Yonge/St. Clair is one example: one of three Pentax Spotmatic 35mm SLR’s I got for next to nothing sometime ago. The bodies were cheap because the meters didn’t work, but everything else certainly does — the Spotmatic has a lovely solid feel, and the shutter sounds like it will last forever. It is easy to see why the Spotmatic is considered a classic.
(Pentax Spotmatic SP, 55/1.8 Pentax Tukamar lens, Ilford Delta 400 film at EI 200,
developed in Microdol-X 1:1, 14.5 minutes @ 20 C)
If At First You Don’t Succeed
This past Saturday I was with my Photographic friends Mike and Donna, shooting infrared film In Kleinburg, Ontario. I was shooting Efke 820 Aura infrared film, but the it turned out the filter (an IR 920) was blocking the wrong light, and when I developed the film that evening, I was horrified to see basically a blank roll :-(. All I have from Saturday is mosquito bites.
Not wanting to admit defeat, I went out on Sunday with a different filter (this time an IR 72) and a different infrared film to Guild Park in Scarborough, and had somewhat better luck 🙂
(Nikon F3, 28mm/2.8 Nikkor lens, Rollei Retro 80s film, IR72 filter, 1 second exposure @ f16,
developed in HC-110 Dilution H for 10 minutes @ 20 C)
My Third Eye 