Category: Modelling and Fashion

Strength, Part 2

Today another image from the shoot with remarkable model Sarah D. What I like in this photograph is Sarah’s expression; so many images involving female nudity feature expressions that seem to say “I am plaything, I am possession, I am submissive to you.” None of those messages are present in Sarah’s expression: it is an expression of strength, of self-possession, of someone confident in herself and her body. The partial nudity is almost incidental; the facial expression is the key to this image.

Sarah film003

Sarah’s strength is also drawn from her supportive family. In contrast to many nude models who feel they must strive to keep their modelling a secret from family and friends, Sarah is able to be be open about her art; when the first pictures from the shoot were posted her mother posted a nice, supportive comment, and I found this quite touching. I have since learned that other members of her family have also seen the images and have been very complimentary to Sarah, and that brings a smile to my face.

Suppression of Detail

Today’s image in a sense has a complicated genesis: the original image was an instant photo, shot on Fuji FP3000B instant film. The negative portion (originally meant to be simply thrown away) was preserved in a delicate and wet state, and carefully dried, resulting in a low contrast negative image. This image was scanned, and brightness/contrast adjustments were made to the scan. The scan was then printed (inverted as a negative) on transparent stock for contact printing using the Van Dyke Brown process. The look is vintage, with the texture of the paper subduing detail.

Emily - van Dyke Brown

Portraits In Kensington

Today, a video of various portraits taken recently in Kensington Market, Toronto, with Fuji FP100C instant film, using the negatives after bleaching/reclaiming. I love the colours I get from this process!

Back to Kensington

Today it’s back to Kensington Market, for another image created by taking the negative from a Fuji FP100C print and bleaching off the black back coating and then scanning it. I’m really hooked on the vivid colours (especially reds and blues) that result from this process!

Wall art in Kensington

Journey vs. Destination

Today’s photograph is from a shoot last evening with model/actor Sarah. It was getting dark quickly, but thanks to the 3000 speed instant film (Fuji FP-3000) in my Polaroid Land Camera 455 I was able to get a number of good instant images. If the photo is the destination, then using the Polaroid makes for an interesting journey; Sarah and I were able to review the images as we shot, not as LCD images on the back of a camera, but as a print in our hands, and we both felt that was a crucial difference. Sarah is a perfectionist when it comes to getting her poses and expressions just right, and she certainly did an amazing job!

Sarah Polaroid

Times Two

Models Emily DeCoteau and Jennifer Bettencourt have both graced my blog multiple times, so it was only fitting that a shoot involving two models would feature them. The idea was a faerie theme, shot in Guild Park, the perfect location. Shooting two models instead of one takes twice the energy, and increases the variables involved, but happily this shoot went very well. Emily and Jennifer worked together very well, and both displayed great characters, with interesting contrasts. I am quite happy with the results.

Emily and Jennifer film

(Nikon FE, 105/2.5 Nikkor lens, 35mm Kodak Portra Colour negative film, developed in home C-41 kit)

Favourites

Today’s image of model Julia Lewis was taken in what is becoming a favourite location of mine: Guild Park in Scarborough, Ontario. It was shot using Kodak Portra 400, which is rapidly becoming a favourite colour film

Julia Lewis - Guild Park 021

The Right Approach

I am not a purist. While I love traditional film, I don’t get religious about it; I will use digital as well, when the situation calls for it. Today’s image is an example, shot with the talented and very creative model Emily Decoteau. I did use film as well for this shoot (currently hanging drying in my darkroom), but there is a certain kind of vibrancy in this image that I ascribe to the use of a digital camera. It will be interesting to compare this image to the film versions, and I suspect it won’t be better/worse,  just different.

Emily in Blue

Background

One more image of Keira from our Kensington Market shoot. We both saw this background at the same time, and immediately gravitated to it. The iconic Metropolis robot heads, and the frame, slightly askew which frames Keira’s head were an interesting combination — there is a lot going on!

Keira in Kensington