Category: Black & White

Strength, Part 2

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Today another image from the shoot with remarkable model Sarah D. What I like in this photograph is Sarah’s expression; so many images involving female nudity feature expressions that seem to say “I am plaything, I am possession, I am submissive to you.” None of those messages are present in Sarah’s expression: it is an expression of strength, of self-possession, of someone confident in herself and her body. The partial nudity is almost incidental; the facial expression is the key to this image.

Sarah film003

Sarah’s strength is also drawn from her supportive family. In contrast to many nude models who feel they must strive to keep their modelling a secret from family and friends, Sarah is able to be be open about her art; when the first pictures from the shoot were posted her mother posted a nice, supportive comment, and I found this quite touching. I have since learned that other members of her family have also seen the images and have been very complimentary to Sarah, and that brings a smile to my face.

Strength

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Today’s image is from an amazing photo shoot from earlier today, of model Sarah D. In additional to being a very talented model, horseback rider and dressage instructor (and roller derby player!), Sarah has Cystic Fibrosis and recently received a double lung transplant. She is a very strong and powerful woman, and has incorporated what she has been through (and continues to deal with) into what she is, rather than being dominated or defined by it. I can’t help but ve very impressed by that kind of strength.

This image is a Fuji FP3000B instant film negative scan. I also shot some medium format film, so there will be at least one more post on this topic and remarkable model.

Sarah Polaroid032

A New Approach

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Today’s image is another hand-tint, but unlike all my others, there are no people in the image, and I am making no attempt to be realistic. Ive been thinking of trying more surrealistic hand-tinted prints, and this is my first attempt. I shot the original black and white image of Pompeii last year during our trip to Italy.

neg scanScan-120825-0001

Suppression of Detail

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Today’s image in a sense has a complicated genesis: the original image was an instant photo, shot on Fuji FP3000B instant film. The negative portion (originally meant to be simply thrown away) was preserved in a delicate and wet state, and carefully dried, resulting in a low contrast negative image. This image was scanned, and brightness/contrast adjustments were made to the scan. The scan was then printed (inverted as a negative) on transparent stock for contact printing using the Van Dyke Brown process. The look is vintage, with the texture of the paper subduing detail.

Emily - van Dyke Brown

More Mad Scientist Photography

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Another post with a Polaroid bent today: When the very first Polaroid was introduced in the late 1940’s, the original prints had a sepia-like tone. This was considered a limitation at the time, and later Polaroid black and white films had a more neutral tone balance. Years later, they did introduce films that brought the tones back, but alas those films are long gone. I decided to try using traditional print toner to see what would happen. (Tech details for those so inclined at the ned of this post). The results while not perfect are intriguing, and worth experimenting with a bit more. The next test will be to leave this print out for a few days to see if I get any further tonal change or discolouration.

toned polaroid004

(Fuji FP3000B instant film, toned using Kodak Professional Selenium toner, diluted 10:1. Applied with lint free soft cloth,
allowed to sit for about 60 seconds, then wiped off with lint free soft cloth and rinsed under cool running water.)

Polaroid Week 2012

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I’m focusing a lot on Polaroids right now, as August 13th-17th is Polaroid Week, 2012. This event is run by a group on Flickr; members are allowed to upload two previously unseen instant images per day. I am amazed at the quality of the work I am seeing, and how the particular characteristics of the various instant film and camera combinations work so well for selected subject matter. I recommend visiting the page to see some great imagery!!

I’ve uploaded a couple more images today; the second one is another image of Rebecca, taken using Fuji FP3000B black and white instant film:

Rebecca Polaroid 11

Rough Around the Edges

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Today’s image is of model Emily Decoteau, wearing an amazing costume she made herself, “reverse-engineered” from an illustration she found. The title “Rough Around the Edges” does not apply to her amazing costume work! I am referring to the process used for this image; the original was taken using a Polaroid Land camera model 455, and the negative was allowed to dry, then scanned. (I also added some toning, along with brightness and contrast in post).  I like the fact the the edges are messy, and that bits and pieces of the paper film pack are still visible; to me, that says this image is real and tangible, you can hold it in your hands, knowing it was a witness to the moment.

Emily - Instant Negative Scan

Something in the Air

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Yesterday I had the pleasure of working with Rebecca Zur, in a park near Yonge St. / St. Clair Ave. in Central Toronto. Twenty minutes before the shoot was to begin, the heavens opened and there was a brief but intense sun-shower. Afterwards, the sun stayed out, and the air remained quite damp and steamy, but the light took on a soft, diffuse and magical quality, which made it perfect for the shoot/ (I was melting in the humidity, but that doesn’t matter :-)) . I shot Polaroid, digital and conventional film for this shoot, and I have chosen one digital and one Polaroid for today’s post, as the looks are quite different, but equally valid.

Rebecca

Rebecca (Polaroid)

Whatever Doesn’t Kill You . . .

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I have to confess there are times when the thought of just sticking a memory card in a DSLR is appealing; the odds are higher that the camera will “just work.” Recently, the idea of something “just working” in traditional film photography for me seems unrealistic. In the last week, I’ve had to deal with the following:

  • a Polaroid SX-70 camera that only grudgingly spits out images
  • a Rolleicord III Twin Lens Reflex (TLR) camera that won’t stop at frame 1
  • A Yashica TLR whose shutter/film winder mechanism often takes a lot of begging and pleading to function
  • a Polaroid pack camera deciding to jam in the middle of a shoot
  • a Polaroid self-timer not working
  • Polaroid shoots where negatives (and indeed sometimes even the prints!) get smeared, or dry strangely because of the recent heat. Today’s image is an example of that particular issue.

Kensington Polaroids

I still love film cameras, but there are times where it seems like unrequited love (something I’ve experienced more than once, over the course of my life).

I’m not whining, mind you; just the blog equivalent of sighing. I’m fully aware that this is the price I have to pay.

Journey vs. Destination

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Today’s photograph is from a shoot last evening with model/actor Sarah. It was getting dark quickly, but thanks to the 3000 speed instant film (Fuji FP-3000) in my Polaroid Land Camera 455 I was able to get a number of good instant images. If the photo is the destination, then using the Polaroid makes for an interesting journey; Sarah and I were able to review the images as we shot, not as LCD images on the back of a camera, but as a print in our hands, and we both felt that was a crucial difference. Sarah is a perfectionist when it comes to getting her poses and expressions just right, and she certainly did an amazing job!

Sarah Polaroid