Category: Black & White

Looking at the Future

(Scheduled post while I’m away).

Recently I was done by the lake and saw this young couple: as they looked out upon the calm waters, I wondered if they were looking at a future together.

Couple by the water

 

Rolleiflex E3, 75mm/3.5 Xenotar lens
Ilford HP5+ film, developed in Tmax Dev, 1+4 for 6.5 minutes

The Don River

This past weekend on another gloriously sunny day I went out to do some more infrared shooting; I am definitely binging!

Don Valley

Rolleiflex E3, 75mm/3.5 Xenotar lens with IR72 Infrared filter.
Exposure 1/2 second @f16

Rollei Retro 80s film,
developed in Rodinal 1+50 for 14 minutes @ 20 C

A Different Infrared Look

Yesterday I went down to the Beaches with a couple of cameras loaded wih EFKE 820 Aura infrared film. This film is no longer made, and the remaining rolls are fetching high prices on eBay etc. I had three rolls of this stock, two years past date and not cold-stored, so there is no way the film should have worked, but it did πŸ™‚

EFKE 820 Aura036

Rolleiflex E3, 75mm/3.5 Xenotar lens with IR72 filter
One second exposure @ fll

Familiar Ground

It is nice to combine a familiar location (Guildwood Park in Scarborough) with a model and collaborator I have worked with many times (Cate). Except for a million flying insects, last Monday was a great day for shooting.

Cate

Nikon D7100, 50mm/1.8 Nikkor D lens
Post editing in LightRoom and Nik Efex

An Infrared Outing

This past Saturday I went to nearby Taylor Creek Park to shoot some Rollei Retro 80s film (with my Rolleiflex). One of the advantages of this film is that if you use an infrared filter (such as an IR 72 that looks almost completely opaque to the naked eye) you can do infrared photography, and I just love the ghostly, otherworldly look you get when doing this.

The Rolleiflex is a perfect camera for infrared: as a twin lens reflex camera, the viewing lens is not covered by the filter so focussing is never an issue. On a single lens reflex camera, the filter must keep coming off (for focusing/composition) and on (shooting).

Taylor Creek Infrared

Taylor Creek Infrared

Taylor Creek Infrared

 

All images taken with Rolleiflex E3, 75mm/3.5 Xenotar lens with IR72 filter
Exposure 1/2 to 1 second @ f16, on Rollei Retro 80s film
Film developed in Rodinal 1+50 for 14 minutes @ 20 C

Portrait of Artist: Brent Morris

It struck me in a moment of after-the-fact obviousness that my imagesΒ of Brent needed to be in my Portrait of the Artist series. As a podcaster and video game designer, Brent has a lot of creative depth, and as I work more with the vintage Petzval lens for portrait work, to my eyes it is a great lens for capturing the depth of a person’s character, and Brent does have a lot of depth and character!

All images were created with my Speed Graphic 4×5, shot on EFKE Ortho 25 film.

Brent with Petzval lens

My Friend Brent

Brent with Petzval lens

Early Evening

Last Thursday in the early evening I was shooting at the Beaches, with my Rolleiflex, a yellow filter and some Ilford Pan F and HP5+ film. The light was amazing, and I did my best to capture it. This post shows four of the Ilford Pan F examples.

Evening by the Lake

Evening by the Lake

Evening by the Lake

Evening by the Lake

 

(You knew there was going to be a gazebo picture in there . . .)

Another Gazebo shot

Yes, I like shooting gazebos! They have such an interesting geometry about them that I can’t resist, and there is no 12 step program for this particular architectural fetish πŸ™‚

I’m also spending more time shooting large format, and enjoying the slower, more thoughtful process.

Kew Gardens Gazebo, Toronto

4×5 Speed Graphic, 127mm/4.7 Ektar lens.
FP4+ developed in HC-110 Dilution B, 7 minutes @ 20 C

More 4×5

In addition to shooting the 1860’s lens last Sunday in the Beaches, I also shot a comparatively more modern lens on the Speed Graphic: my 127mm/4.7 Ektar. I need to spend more time with this lens!

4x5 Beaches

 

Speed Graphic, 127mm/4.7 Ektar lens.
Ilford FP4+ film developed in HC110, Dil. BN for 7 minutes @ 20 C

More Petzval Portraits

On Sunday of this past weekend I met up with my friend and fellow film photographer Ori, who agreed to pose for a couple of portraits shot with my 1950’s era 4×5 Speed Graphic camera, with my mid 1860’s Brass Petzval lens. The film was expired EFKE, with a speed of 25, sadly no longer made. This stock is orthochromatic, meaning not sensitive to red light, which was pretty standard for the 19th century, and great for male portraits.

I am finally happy with the results from this lens, meaning that I now want to shoot as many people as possible with it! πŸ™‚
Second Portrait of Ori

Petzval Portait