Here is another portrait (of my good friend and fellow film photographer Ori) using my Olympus Pen F 35mm half-frame SLR and 38mm/1.8 Zuiko lens. The film was Ilford FP4+.
Again I am very happy with the slightly gritty look here, as I feel it suits male portraiture.
Recently I visited my good friends Rob and Katherine in Guelph Ontario, and they took me to see a covered bridge that I didn’t know about. A lovely and fascinating structure with a lot of photographic possibilities. Both images were taken with my Nikon F4S 35mm SLR with a 28mm/2.8 Nikkor lens.
This image was taken with the Rolleiflex on Ilford Pan F fine grained film. One of my favourites from the Alberta trip.
I’ve always wanted to get a dramatic sky photo, and finally I’ve found the combination! Rollei Retro 80s film, plus a 25A red filter and Polarizing filter stacked together. I took this with my Mamiya RZ67 and 65mm lens early on a Sunday morning at the Beaches, with the sun at a right angle, for maximum polarizing effect.
Of of the joys that is unique to film photography is developing a roll of film and being surprised at what was on it :-). Earier this week I developed a roll of 35mm Kentmere 400, expecting more Guelph or Alberta images, and it turned out to be a roll from out Scotland trip that I had overlooked. Taken with my Voigtlander Bessa R and 15mm/4.5 Extreme Wide-Angle Super -Heliar at the Edinburgh Castle, very happy with the sense of movement.
Another image from the Atlas Coal Mine near Drumheller, Alberta. I am really liking the combination of the Rollei APX 25 film and Rodinal Developer 🙂
Shot on Voigtlander Bessa R 35mm, 15mm/4.5 Super-Heliar lens
The Atlas Mine Museum is located just outside of Drumheller, Alberta in the Badlands. A coal-mine (now closed) it is a fascinating location, especially if you like heavy machinery. In one area of the exhibit, a lot of abandoned machinery and parts are laid out, against an amazing backdrop.
Rolleiflex 3.5E3, 75mm/3.5 Xenotar lens
Plus-X developed in Rodinal 1+25
Toned in post
This is another image taken during my recent trip to the Badlands in Alberta. It had rained the day before, so the textures of the rock and sand were smoothed and muted, but still alien and harsh in their own way.
Voigtlander Bessa R 35mm, 15mm/4.5 Super-Heliar lens
Rollei RPX 25 film developed in Rodinal 1+50 for 12 minutes
Toned in post
A couple of days ago on a visit to Guelph to see my good friends Katherine and Rob, I took some portraits of Rob with my Olympus Pen F half-frame camera, shooting on Ilford FP4+. I really like the look of the half-frame negative and medium speed film for portraits of men in the prime of life; the texture of the grain in this film, or Eastman Double-X suit the subject matter.
This image is a view of the lake at the Laurentians home of my friend Michelle. It was taken inside a hut, looking out through a window. To me the window looks suspended is space, and I reminded of the concept of the classic Science Fiction story Light of Other Days, where “slow glass” forces light to take years to pass though it.
Rolleiflex E3, 75mm/3.5 Xenotar lens
Kodak Tmax 400 film developed in Xtol 1+1
My Third Eye 