Tag: Zenit 3M

Mixing It Up

Most portraits are vertically oriented (hence the term “portrait orientation”). But it is fun to mix things up now and then. Here is another image of my photographer friend Suzanne. To show as much of the Helios 44/2 lens’s optical character (namely the swirl with the lens wide open) I felt the portrait needed to be horizontal.

12095155_10153070914326987_4562969658577686684_o

Zenit 3M 35mm SLR with Helios 44/2 58mm/2 lens
Ilford FP4+ developed in Xtol 1+1 for 9 minutes @ 20 C
Diffusion and toning added in post

Another Shoot With Naima

On Sunday I had another shoot with Naima, this time outdoors on a decidedly chilly day, in the ravine near Yonge and St. Clair. Naima was a real trooper and did not let the cold get in the way of a great shoot.

Naima

 

Zenit 3m 35mm SLR, Helios 44/2 58mm f2 lens
Tri-X @ EI 800, developed in Diafine 3 + 3

Naima Act II: Film

Today, more images of Naima, created with one of the film cameras I used at the shoot: an early 60’s ere Zenit 3M, with the Helios 44/2  58mm f2 lens that is becoming my new best friend as far as portraiture is concerned. As for Naima, she has a look in these images that to me has an Old World sensibility that I like. Both images were shot on Tri-X, developed in Diafine. Lighting was done with a late 50’s movie light, through a lighting umbrella

Naima on film

Naima on film

Those Swirl the Days

I love photo gear that imparts character to images, and this is one area where vintage film gear beats digital. This image was taken with an old Soviet-era Zenit 3M SLR, and a 58mm f2 Helios 44/2 lens. A Russian copy of the Zeiss Biotar lens, when stopped down to a small aperture it is quite sharp, but when used wide open (as it was in this image of my friend and fellow film fanatic Ori) you can get an amazing “Swirl” in the out of focus areas, especially away from the centre of the frame.

Shooting film

Zenit 3M SLR, Helios 44/2 58mm/f2 lens
Tri-X developed in Pyrocat HD 1+1+100,16 minutes