Tag: Twin Lens Reflex

An Example of Why Film Still Works

One of the reasons I still like shooting film is exemplified by this image of model and dancer Kaitlin taking using my Rolleicord IIIa twin lens reflex camera. The Xenar lens has a unique character, not tack sharp unless you really stop down. It is easy to get a lot of sameness with digital cameras; each of my film cameras has own voice, its own signature, and I have a love affair with each of them.

Dancer on Film

Twin Lens Reflex

Today’s image was created on Kodak Portra 400 colour negative film using my Rolleicord IIIa camera, which is a Twin Lens Reflex camera. Normally the term twin lens reflex refers to the fact that the camera has two lens — a viewing lens, and a “taking” lens directly below the viewing lens. With this camera though, twin lens for me could refer to the large difference in image sharpness when shot with the taking lens wide open (at f3.5) compared to stopped down to a smaller aperture, say f8 or f11. Stopped down, the lens (a Schneider Kreuznach Xenar) is reasonably sharp. Wide open though, I get a softness that I just love. It is great for portraits, such as this one of Emily.

Emily 1-9-12

Old Friends Ken and Bryon

I posted a Polaroid from this shoot a few days ago, but I think today’s image (shot on a Rolleicord twin lens reflex camera) will be the “official” image for the “Old Friends” series. For me, this image captures the total ease in each other’s company, which is one of the hallmarks of a true friendship.

Old Friends Ken and Bryon

A Camera that Plays Mind Games

Today’s image in Kensington Market was taken with my Yashica Mat LM 120 format Twin Lens Reflex camera. On one hand it was quite inexpensive, and has an amazing lens. On the other hand, the shutter/film advance mechanism is balky, so that the film advance often sticks until I jiggle the camera or mutter incantations. This is the one camera I have where keeping a headless chicken in the camera bag (to wave in front of the stuck film advance; when all else fails there is always voodoo).

I swear that in a past life this camera was a cat (Will I work? Yes. No. Yes. No. ….)

A Foursquare location?

Hanging On

The payphone is an example of a technology that is becoming less and less relevant, as personal cell phones become ubiquitous, and so I believe a picture of a dilapidated payphone was a perfect subject for the camera used to take the picture. I shot this with a Yashica 44LM 127 format twin lens reflex camera. 127 format film (with negatives typically 4 cm x 4 cm) is effectively obsolete and thus rather uncommon these days, and quite expensive, so what I do is roll it from a 100 foot roll of 46mm wide film I bought on eBay.  I am still working on scanning; getting this film to lie flat is a real trick. Nevertheless, it is a fun little camera, and I plan to shoot it as long as I can!

127 Colour

More Questions Than Answers

I like this image because of its ambiguity. To me it looks like it could have been made anytime over the last ninety years or so; there isn’t much in the picture that would give the actual date it was taken. (For the record, I made this image just this month, with my Rolleicord Vb Twin-Lens Reflex medium format camera.)

The viewer gets to fill in the blanks, and there are no wrong answers.

Underneath

A Different Brush

Yesterday I went out for the first time with my Rolleicord V, a twin lens reflex camera I bought last week. It shoots 6 x 6 cm images on 120 film.

Looking down to focus, on a ground glass with a laterally reversed image will take some getting used to, but that’s what I like; different types of cameras inform the photographic process in a different way.

Old Farm Equipment

The lens has interesting characteristics; quite sharp (at least in the centre), but in some of the images the out-of-focus backgrounds have a very vintage look. Quite distinctive, and another step away from the sameness I find that one can get using DSLR’s.