On a cold and blustery Saturday, a very brave Rowena was an amazing model for an outdoor dance-themed shoot.
Rolleiflex E3, 75mm/3.5 Xenotar lens
Kodak Ektar 100 film, negative scanned
and edited with Lightroom and Nik Efex
From my steampunk shoot with talented author Rebecca Diem who has just published The Stowaway Debutante, a fun steampunk read. I had the idea for the prop (the world’s oldest camera-phone? 🙂 ) some time ago, and this shoot was the perfect time to use it!
Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X @ EI 800, developed in DiafineÂ
I had the pleasure of working with Sabrina, (the daughter of a theatre friend of mine) on Thursday. As someone with both dance and theatre experience, Sabrina was a natural when it came to posing and expression, and needed next to no instruction.
Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X, EI 800, developed in Diafine 3+3
I’ve never had much luck with Ilford HP5+ in 35mm; my scans always had too much grain for my taste, and I didn’t like the tonality. Shooting in medium format (at an exposure index of 250 instead of the box speed of 400) Â I am liking the results better!
Rolleiflex E3 with 75mm/3.5 Xenotar lens
HP5+ film at E.I. 250, developed in TMax Developer
1+9 for 14 minutes @ 20 C
Yesterday morning I was taking some images of the stairs that lead to pedestrian bridge over the DVP in Riverdale. I was trying to get the focus just right (not always easy with my middle-aged eyes) and at the last moment a figure arrived in the frame. An accident, but I like the result.
Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X developed in Xtol 1+1 for 9 minutes @ 20 C
My first blog post with an image with the new (to me) Rolleiflex. This camera is a work of art! Part of the allure of film photography for me is using classic cameras like this; the experience of image creation is as important as the end result.
Rolleiflex E3, 75mm/3.5 Xenotar lens
Fuji Neopan Acros 100 film, developed in Rodinal 1+50 for 13.5 min @ 20 C