My first out-of-towner for the project! My very talented photographer/videographer friend Jess Hobbs is in Toronto this weekend for Toronto Film Shooters / Classic Camera Revival podcast events, so of course a shoot at The Only Cafe was mandatory!

My first out-of-towner for the project! My very talented photographer/videographer friend Jess Hobbs is in Toronto this weekend for Toronto Film Shooters / Classic Camera Revival podcast events, so of course a shoot at The Only Cafe was mandatory!

Only Cafe Portrait Series #5. I had a great time this morning meeting up with my good friend (and extremely talented photographer) Jamie Marcellus.
As always for this project, shooting with my Sony A7ii and my old Helios 44 lens (58mm/f2).
If you are in the Toronto area and can get to the Donlands/Danforth area and would like to be part of this project, please let me know!
I was out with a photography friend yesterday, and I took this portrait of him at the Only Cafe. The technology was old and new; the camera was my Sony A7ii, but the lens was my old Soviet era Helios 44/2 lens, mounted via adapter. The light was from an overcast day, coming in through a window. I love what this lens can do!
A week or so after I took this portrait, I was back in the Only Cafe, same gear, and took another portrait, this time of another good friend Bryon.
Sony A7ii, 50mm Nikkor 50mm/f1.4 lens, ISO 6400
I was happy to get together with my good friend Ken last Saturday. We met up at The Only Cafe of course. Fairly dimly lit, so I ratcheted up the ISO on the Sony A7ii to 6400. Impressed with the lack of noise! The lens was an old Nikkor 50mm f1.4, mounted via adapter and shot wide open. Quite happy with this image!
Sony A7ii, 50mm Nikkor 50mm/f1.4 lens, ISO 6400
I’ve been having a lot of fun with the Hipstamatic app on my iPhone, and so here is another Hipstamatic image: my good friend Ken at the Only Cafe in Toronto. The photo is dark, not particularly sharp, and rather gritty. However, the lighting in the Only is not bright, and the pub does have a gritty ambiance, so in this case I think the image is more realistic, more true to the moment than a perfectly sharp, properly lit image would be.