Tag: Man of La Mancha

L’Homage Pour Édith Piaf

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Today (the opening night of Man of La Mancha in which I play the Governor and the Innkeeper) seemed like the perfect day to post this image of model Léah, who wanted a portrait that pays tribute to her hero, twentieth century French singer and icon Édith Piaf. I have to admit I didn’t know much about Édith before working with Léah (I had heard La Vie en Rose, but hadn’t made the connection), but in reading about her, listening to her music and watching performances on YouTube I was struck by how this tiny (4 foot 8 inch tall) woman had such a powerful, commanding stage presence, and how her essentially tragic life is transmuted into the emotional intensity of her singing. She literally put everything she had, and everything she was into her performance. As an amateur actor who clearly has so so much to learn, I can really take a lesson from her life and music.

L'Homage Pour Edith Piaf

The Eyes of the Actor

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I took this photo for a production of Man of La Mancha that I am currently in, and shows two of the main characters, Don Quixote (played by Robbie Burko) and Sancho Panza (played by Antonio Olivito). What strikes me are their eyes — it shows how much they have both internalized and become their characters, as well as how much energy they bring to their roles. When I work with models, I try to get them to think like actors: find a story, a reason for a facial expression, etc. In a lot of ways, actors make the best models.

Don Quixote and Sancho Panza

If you’re in the Toronto area, why not come see the show? Show dates are May 4th, 5th, 6th, 10th, 11th, 12th and 13th. (More information and tickets here) I will be playing two roles: “The Governor” (a rather nasty prison gang leader) and “The Innkeeper” (who is actually a rather nice guy).

Hope to see you there!

It’s Not Always About Sharpness

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This image is of a fellow cast member from Man of La Mancha, taken at a recent fund-raising event. It was shot using my Leica IIIb rangefinder, and an postwar 50mm/f2 Summitar lens. It was not a very bright room, and I was shooting available light, so even though I was using Tri-X (a reasonably fast film) I had to shoot wide open, at either 1/20th or 1/40th of a second.  I knew that not much would be in focus, but the face and eyes were, and I was able to capture a lovely expression. The Summitar lens has a reputation for fairly swirly out of focus areas when wide open; some people don’t like the effect, others enjoy this characteristic of the lens, and I am in the latter camp — I like what it adds to the image.

Texting at the Table