(Scheduled post while Iām away)
From a recent walk in Kew Beach, the fence and trees capturing the late day sun. My kind of light
Rolleiflex E3, 75mm/3.5 Xenotar lens with 25A filter.
Ilford HP5+ film
Yesterday I went down to the Beaches with a couple of cameras loaded wih EFKE 820 Aura infrared film. This film is no longer made, and the remaining rolls are fetching high prices on eBay etc. I had three rolls of this stock, two years past date and not cold-stored, so there is no way the film should have worked, but it did š
Rolleiflex E3, 75mm/3.5 Xenotar lens with IR72 filter
One second exposure @ fll
Last Thursday in the early evening I was shooting at the Beaches, with my Rolleiflex, a yellow filter and some Ilford Pan F and HP5+ film. The light was amazing, and I did my best to capture it. This post shows four of the Ilford Pan F examples.
(You knew there was going to be a gazebo picture in there . . .)
Yes, I like shooting gazebos! They have such an interesting geometry about them that I can’t resist, and there is no 12 step program for this particular architectural fetish š
I’m also spending more time shooting large format, and enjoying the slower, more thoughtful process.
4×5 Speed Graphic, 127mm/4.7 Ektar lens.
FP4+ developed in HC-110 Dilution B, 7 minutes @ 20 C
On Saturday I was again down at the Toronto Beaches, and among the films I was shooting with my Rolleiflex was Rollei IR 400, a film that is sensitive to light in the infrared portion of the spectrum. With a nearly opaque IR 720 filter, one gets an almost otherworldly view of an otherwise normal sunny day.
Rolleiflex E3, 75mm/3.5 Xenotar with IR72 filter (via Bay 2->52mm adapter)
Rollei IR 400 film at EI 12, developed in Xtol 1+1 12 min @ 20 C