This spot in High Park has been featured below, but this time the image was created from a slightly different angle. I quite like the look of RPX25 in medium format!
Mamiya RZ67, 65mm/f4.5 C lens
Rollei RPX25 film, developed in Rodinal
Rollei RPX25 and Medium Format
Back to one of my happy places in High Park. I continue to be on a bit of a fine grain slow speed film kick. Rollei RPX25 is another amazing film, but you have to get the exposure right. (It really doesn’t like over-exposure). It has a nice snappy contrast, making it perfect for dull days).
Mamiya RZ67, Rollei RPX25 film, developed in Rodinal
Canoe In a Garden
At the entrance to the Glen Stewart Ravine in The Beaches is a canoe that has been worked into a garden.
Mamiya RZ67, Kodak Ektar 100 film
Ghost #2
Another “ghost image” from High Park a few days ago. Something caught the dog’s attention and it stayed still long enough to register, more than the dog’s companions further back. Exposure about 1.5 seconds.
Mamiya RZ67, Rollei RPX25 film
Ghost #1
This past Saturday on a very gloomy and dull morning I went to High Park with my Mamiya RZ67, slow speed fine-grained films and of course a tripod. Exposures were often 1 second more, so any moving people in the image would be a ghostly blur. I like the effect!
Mamiya RZ67 on tripod, Rollei RPX25 film developed in Rodinal
Exposure: 1 second
Above the Subway
I’ve always found the outdoor/above ground subway stations in Toronto fascinating, especially ones (like Rosedale station below) on the oldest part of what is now called Line 1.
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak TMax 100
Morning Shore
I recently shot some colour film at Bluffer’s Beach in Scarborough. It was a interesting morning light, with a layer of thin, hazy cloud.
Mamiya RZ67, Kodak Ektar 100 film
The Fine Grain Quest Continues
Another fine grain film I tried recently is Agfa Copex Rapid. It is similar to Adox CMS 20 II.
Hasselblad 500C/M, 80mm/f2.8 Planar lens
Agfa Copex Rapid film , developed in Rodinal 1+100, 20 minutes
Another View of Massey Hall
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak TMax 100 film
Hiding Behind the Camera
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak TMax 100 film
My Third Eye 