Many people do not like the “busy” background of a mirror telephoto lens but I actually don’t mind it.
Sony A7ii, 500mm/f8 Spiratone Minatel lens
Rocks by the Water
By the shore of Lake Ontario.
Using an old 500mm/f8 mirror lens. I like how it captured the distortion of the atmosphere.
Sony A7ii, Spiratone Miratel 500mm/f8 lens
The World Inside Our House
Exploring the interior universe these days.
Sony A7ii,Micro-NIkkor 55mm/f3.5
Installation at the Beaches #2
Only a few weeks ago, but I feel the only mark of time that matters now is Before and After.
Hasselblad 500CM, 50mm/f4 Distagon lens
Kodak Ektar 100 film
Empty Streetcar Seats
Empty seats, closed doors, shuttered windows. Abstract isolation.
Sony A7ii, NIkkor Pre-AI 85mm/f1.8 lens
PS: The MPP podcast is back! Latest episode here.
All In Our Cages
We are all in our cages right now, and most are not literal.
Sony A7ii, Micro-NIkkor 55mm/f3.5 lens
Higher Contrast
Experimenting with higher contrast in my portrait work.
Rolleiflex 3.5 E3, Ilford HP5+ film
developed in Cinestill DF96 Monobath
Foreboding
At the Beaches yesterday, seeing this scene (with some contrast added in post) resonated with me, in the context of all that is going on.
Sony A7ii, 50mm/f1.4 Nikkor lens
Bicycle in Niagara-On-the-Lake
How long had it been since this bike was ridden?
Rolleiflex 3.5 E3
Agfa Portrait 160 C-41 film
Looking Into a Closed Restaurant
Not yet open, on Yonge Street. The window relfections fight to be seen.
Sony A7ii, 50mm/f1.4 Nikkor lens
My Third Eye 