Timewarp Tuesday: Murphy the Cat

I’ve been having fun (since I got my film scanner) of going back into my old negatives and scanning pictures I took decades ago, and posting the occasional one here, but I realize that this could be a trap if I’m not careful; I need to keep working on new images.

I’ve decided therefore to only blog one older image a week, hence Timewarp Tuesday. I made this image below with my old Yashica TL-Electro, c. 1977 (the year I got this camera). The film was Ilford HP-4, push processed to either E.I. 800 or 1600, probably the latter, based on the amount of grain in the image.

Murphy the Cat

Our pet cat Murphy was the perfect subject for black & white; this rather scraggly domestic longhair was a furry grey scale; the only colour was in his eyes, but everywhere else he had every shade from white to black and back again.

Light As Painter, Subject as Canvas

Same subject matter, same camera, same film; the only difference was an hour or so on a day in Salisbury, England, on a day when the weather was changeable to say the least. I was struck by how the light treated Salisbury Cathedral as a canvas later in the day, painting it with a golden glow.

Scan-100908-0039 The Spire, Salisbury

Change is Where You Find It

I’ve taken a few pictures in the vicinity of the Toronto Eaton Centre over the years; in fact the first image I posted in this blog was captured in the Eaton Centre. That image was taken on Ilford XP-1 film, on my old Yashica TL-Electro. The image below was taken on XP-1’s successor, XP-2+. I used my Nikkormat FT2 for this image (taken in early August, 2010), a camera of roughly the same vintage.

The change I captured this time was the construction going on currently in the Eaton Centre; the scaffolding to me appears to form a canopy over the young couple.

No matter how often I photograph a location, there is always something new. Expect change, and it will find you.

couple in eaton centre

When Only Film Will Do

The picture today is of the “Scarborough Dude,” a fixture in the Canadian Podcasting Scene, and a valued friend. I took this portrait last weekend using my Nikkormat FT2, an old Nikkor 24mm lens and Ilford XP2-Plus film.

Portrait of a Friend

Although XP2-plus is supposed to be fine grain, the grain can become more noticeable when underexposed, or used at a higher exposure index. Also, from what I am reading, film scanners tend to act in the same manner as condenser enlargers, emphasizing the grain. Combining these factors, it is not a surprise that this photo appears rather grainy (more obvious at larger sizes).

Given the subject of this portrait however, I believe this grainy, organic appearance is appropriate, as it matches the Scarborough Dude’s personality; he is always the “real deal”; never any fakery. And while he is “with it” technologically speaking in terms of blogging, podcasting and other forms of social media, (indeed more so than many of his generation), he does not dismiss the past. He explores his past, and understands how it has shaped him and where he is today.

Film is organic. It is often grainy. There is no mistaking its character. The subject of this portrait would be ill-served by anything less.

The Unique Magic of Film

Here is an image from my recent trip to Salisbury England. It is a close-up of an old door knocker on one of the massive doors of Salisbury Cathedral. It’s also the first black and white film I’ve shot in about twenty-five years. I used a Nikon N6006 film SLR (purchased very cheaply on eBay) with a Nikon 55mm Macro lens (very sharp and also very inexpensive on eBay).

Today, I got a delivery of an ancient Minolta Dimage film scanner (again, purchased on eBay); using Vuescan software on my Mac I was up and running relatively quickly. I’ve still got a few kinks to work as I get this old beast dialed in, but expect to see more film scans posted here. For B/W close-up work, film still has a unique magic!

Door Knocker, Salisbury Cathedral

Portrait of An Artist

I met an artist yesterday via a mutual friend. Her medium of choice is Encaustic Painting, involving the use of oil pigments suspended in melted beeswax. This technique is both ancient and challenging, and her studio showed evidence of mastery and enthusiasm. It seemed to me that the studio itself, covered with colour, was a portrait of the artist.

In addition to some black and white photos taken with my vintage Nikkormat, I also used my iPhone to capture some of the colour. My good friends Rob Lee and Katherine Matthews (also along for the visit) recommended the free Morelomo app, and as I love vintage/Lo-Fi photography I had to give it a try; I was quite happy with the results!

Lofi Paint Bowls

The Best Camera is the One You Have With You ….

It had been a disappointing day, to say the least. In Amsterdam for only four days, and the first full day we lucked into the worst rain the city had seen all summer. My photography got curtailed, and my wife will tell you I was not in a good mood.

In the evening we were scheduled to meet up with some of my wife’s relatives, and since the weather still sucked as we left our hotel to go back downtown, I made the decision not to bring the DSLR along. So of course, 15 minutes after we left, the weather miraculously improved, and all I had was my iPhone 3GS to capture the amazing light

After a long day of rain in Amserdam

I got a few decent shots with the iPhone, but I am still kicking myself for not bringing my main camera along 😦

Goodbye Kodachrome Retro Photo-walk 16 October, 2010

I’ve decided to take the plunge and organize a photo-walk in Kleinburgh to mark the passing of Kodachrome once it can no longer be developed after Dec/2010.

I have set up a Facebook event for it, but if you are not on Facebook, the info is reproduced below. Please let me know if you would like to attend and whether or not you wish to reserve a roll of film!

Goodbye Kodachrome Retro Photo-walk LOCATION CHANGE!!!

Date/Time October 16 · 10:00am – 5:00pm
Location Morningside Park, Scarborough Ontario.

We’ll meet at 2nd last parking lot (beside a playground), shoot for a while, then how about a late lunch?

More Info What better way to mark the passing of this legendary film than to shoot it one last time, a photo-walk capturing the beautiful fall colours in Kleinburg, Ontario (home to the McMichael Gallery and its renowned collection of Group of Seven art).

As of December, 2010 the one lab that still processes Kodachrome slide film will stop this service, and the glorious era of Kodachrome will end. While Kodak no longer sells Kodachrome, it is still available on eBay.

Depending on numbers, I can provide some Kodachrome at my cost, and provide instructions on how to get it processed. I have bought 14 rolls online so far, at an average cost of $6.33. I will buy more if numbers warrant. One roll per person, and people who confirm attendance with me will get priority.

You’re responsible for providing a 35mm camera. If you want to reserve a roll, let me know ASAP either here, or via email jgmeadows@gmail.com

Note: Digital photographers also welcome!

Edge Cases

I made this image of the Thames, London, while standing on the Millennium bridge about 2 weeks ago.


Exposure was a 1/4 second, handheld. While I love old film cameras, without the VR technology on my D90, there is no way I could have created this image in a film camera, without a tripod,

Celebrating the CommonPlace

Museum photography can be tough; images of art and artifacts seem to end up being mere record-keeping, like a receipt of what was seen, rather than interesting photographs in their own right.

Last week we visited the British Museum in London. This museum contains the Rosetta Stone, the Elgin Marbles, etc. but here is a commonplace image I took, which I rather like. I saw this at a cafe in the gallery portion of the museum and was struck by the presentation of the fruit.

The irony is of course travelling thousands of miles for an image I could likely have found in Toronto.