In a lot of ways this image is not realistic: it is not in colour, it is not especially sharp, it is dark and grainy. But for early morning on the bus in November, it is extremely realistic.
Dominance of Colour
Today’s image of the amazingly talented Jennifer is another hand-tinted print, so by definition it started out as a monochrome image. What I did with the hand-tinting though is try to create another mainly monochrome image, with just hints of purple and flesh tone here and there. I was going for intensity.
Connection
I took this image on the subway on a trip downtown this afternoon. I was struck by the fact that they were sharing music via one headphone jack, but apart from that they were both in their own worlds: no words, glances etc. were exchanged until it was time to get off the train. Mysterious and intriguing!
Expression part 2
Another image of Iryna, this time shot on film, I asked Iryna to show some sadness, and I described a story for her to place herself into. It was amazing how fast she became the character in the sad story; she was feeling the emotion. There is no faking for this kind of expression.
(Mamiya 645 Pro TL, 80mm f2.8 lens, Tri-x @ E.I. 800 developed in Diafine 3+3, negative scanned and post processed using NIK software)
Expression
Yesterday I had an amazing shoot with a young model named Iryna in High Park. It was a glorious day, very welcome after a spate of weather-related cancellations! Most of the shoot was film (until I ran out! I thought I had more with me than I did), so I had to shoot a few digital, so my first post on this shoot will be a digital image, as the first batch of negatives go through their final rinse in my darkroom. I was amazed at Iryna’s ability to create amazing expressions: beautiful, subtle, and entirely believable, over and over again. She instinctively understands that successful modeling is as much about acting and story as it is about posture and pose.
Background as Foreground
One more image from this past weekend’s shoot with Jennifer. As I think I’ve mentioned before, my strong preference for portraits is close-up: I am captivated by the human landscape of the face. I have to force myself to at least some of the time take a few steps back and attempt a portrait that is as much about the background as it is the subject. Guildwood Park in Toronto has a lot of great backgrounds to use, and as soon as I saw this sculpture, I knew that it would be perfect for a non-close-up image.
(Mamiya 645 Pro TL, 80mm f2.8 lens, Tri-X @ E.I. 800, developed in Diafine 3+3. negative scanned, and post-processed using Nik Silver Efex Pro 2)









