A Different Light

This image is from a shoot with a new model named Sarah, this past weekend. It was an indoor shoot, so I set up my usual lighting set-up, including my cactus remote flash triggers; a few shots in, they decided to stop working :-(. Plan B meant switching from strobe (flash) lighting to continuous lighting. I used a late 1950’s vintage quartz halogen movie light (which gave off a lot of heat!), bounced into an umbrella. When combined with the soft light from an overcast light coming through the skylights, I think it really worked. It’s time to try more of this kind of lighting!

Sarah Elizabeth

Reality

In a lot of ways this image is not realistic: it is not in colour, it is not especially sharp, it is dark and grainy. But for early morning on the bus in November, it is extremely realistic.

On the bus

Dominance of Colour

Today’s image of the amazingly talented Jennifer is another hand-tinted print, so by definition it started out as a monochrome image. What I did with the hand-tinting though is try to create another mainly monochrome image, with just hints of purple and flesh tone here and there. I was going for intensity.

Hand Tint in Guildwood Park

Connection

I took this image on the subway on a trip downtown this afternoon. I was struck by the fact that they were sharing music via one headphone jack, but apart from that they were both in their own worlds: no words, glances etc. were exchanged until it was time to get off the train. Mysterious and intriguing!

Connected

Walkway

Today’s image is an iPhone 4S/Hipstamatic shot of a walkway at Kipling subway station, early in the morning dark. To me it always looks so cold and industrial.

Kipling Station Walkway

Fatigue

Five days a week I am on the TTC, early. The image today was taken this morning on the Kipling bus, at about 6:50 a.m. You haven’t seen fatigue until you see transit riders at this time of day, and today was no exception.

Fatigue 0650

Expression part 2

Another image of Iryna, this time shot on film, I asked Iryna to show some sadness, and I described a story for her to place herself into. It was amazing how fast she became the character in the sad story; she was feeling the emotion. There is no faking for this kind of expression.

ireyna film009

(Mamiya 645 Pro TL, 80mm f2.8 lens, Tri-x @ E.I. 800 developed in Diafine 3+3, negative scanned and post processed using NIK software)

Expression

Yesterday I had an amazing shoot with a young model named Iryna in High Park. It was a glorious day, very welcome after a spate of weather-related cancellations! Most of the shoot was film (until I ran out! I thought I had more with me than I did), so I had to shoot a few digital, so my first post on this shoot will be a digital image, as the first batch of negatives go through their final rinse in my darkroom. I was amazed at Iryna’s ability to create amazing expressions: beautiful, subtle, and entirely believable, over and over again. She instinctively understands that successful modeling is as much about acting and story as it is about posture and pose.

Looking

Looking Ahead

Today’s image is a couple of years old, taken at low tide on the bank of the Thames in London, England. I’m posting it in anticipation of my next trip to England in July of 2013. I’m already debating how many (and which) cameras to take πŸ™‚ I know the answer to “how many”Β won’t be one!

Low Tide in London

Pedestrians Under Glass

Every now and then it’s fun to throw an iPhone photo into the mix. I took this image on the way to a meeting in downtown Toronto yesterday, timing it to get the pedestrian framed in the reflection in the building.

Pedestrians Under Glass