Finally a silver-based image! This image was taken with my Voigtlander 35mm L camera, and Voigtlander 21mm/f4 wide-angle lens, during my photo walk in the South Beach Art Deco district The Voigtlander L does not have a focus mechanism, so focussing is a matter of estimating the distance and setting the lens. Fortunately, wide angle lenses have great depth of field, so just setting the hyperfocal distance assured everything from about 2 feet to infinity would be in focus 🙂
Miami Art Deco Photo Walk
This week I am in Miami, but on business so it’s been extremely busy! I finally got some free time yesterday afternoon, so I went to the historic Art Deco area in South Beach. I shot lots of film, which I can start developing when I get back to Toronto, so in the meantime, here are a couple of Hipstamatic images.
Film coming later this week!
Whatever It Takes
Today, another image from my daily commute on the TTC. Again I took it using my iPhone, with the Hipstamatic app. For someone who is primarily known as a film photographer, this recent trend may be surprising to many people I know. However, I think I’d rather be known as someone who who used whatever worked to create an image that conveys what I saw and felt. Much of the time I will use film, but not always.
The rough, lo-fi look of the Hipstamatic to me is perfect for this subject, and this time of day (normally early morning, before 7 a.m.). It is a dark, gritty, unfocused time of day. With the iPhone I can take this images unobtrusively, in a manner not really possible with other cameras.
Selective Focus
Today I had to take an old Press Camera to the “camera hospital” to get a rangefinder alignment done, and afterwards did some shooting in Toronto’s King/Dufferin area with a Graflex Century 35, and the Hipstamatic app on my iPhone. The image below was taking with the Hipstamatic, and I really like how the selective focus worked out!
Two images
I took some more Hipstamatic images on the way to work today, and since I can’t decide between them, I’m going to post them both :-). The first one I like because of the blurred background on the left; rather than the interior of the subway train it looks like it could be part of a dream landscape.
The second image is of the same rider a moment or two later; fatigue and life written clearly in the lines on his face.
If I drove to work, I would miss these opportunities.
Without Guile
It is frustrating that we live in a climate where street photography of children can be dangerous. As long as the subject is in public view, and I do not use the images for commercial purposes, to create images such as today’s is legal, but still risky. We are becoming a society driven by mistrust, sadly. I couldn’t resist taking this image today of a young child on the bus home; her expression was direct, thoughtful, and (in the manner of young children), open, and without guile. Hopefully not too many viewers will consider me a creeper for posting this image.
Speed Graphic
Good morning and Happy New Year!
I took this image yesterday close to home. I was shooting with a Miniature Speed Graphic, a vintage press camera (with a 6×7 roll film holder from a Mamiya RB67). This is an intriguing camera. Utterly manual, so easy to make mistakes, and yet photo journalists of the past were expected to “get the shot” with this kind of gear. My respect for photographers of the past continues to rise.
Photo-realism
I’ve been having a lot of fun with the Hipstamatic app on my iPhone, and so here is another Hipstamatic image: my good friend Ken at the Only Cafe in Toronto. The photo is dark, not particularly sharp, and rather gritty. However, the lighting in the Only is not bright, and the pub does have a gritty ambiance, so in this case I think the image is more realistic, more true to the moment than a perfectly sharp, properly lit image would be.











