One thing I like about cameras like a Speed Graphic is how parts can be mixed and matched. I was able to use a Voigtlander Voigtar Anastigmat lens (15mm/f6.3) rescued from a non-working Voigtlander Avus folder from the 1920’s. The roll film holder was from a Mamiya RB67 camera; it mounts perfectly.
I’ve always found this type of bike post fascinating, like a modern art sculpture. They lend themselves to any number of angles and compositions.
(Canon 7 35mm Rangefinder with 50mm/f2 Jupiter 8 lens,
Fomapan 100 developed in TMax developer 1:9)
Here is another image from the workshop yesterday. I found this workshop great, as I learned that this kind of lighting is not as hard as I thought: one one side, a beauty dish with honeycomb grid, on the other side, a strip light, also with a grid to control the path of the light. I will be exploring this technique more in the future!
I should also mention the model Kaitlin’s skill as a dancer: her poise and grace came through in every image. 🙂
In the spirit of refusing to allow depression to be a stigma, this is going to be a fairly open post (and long).
Some numbers came together to make this image: the lens, a Soviet era Jupiter 8 50mm lens, on a Canon 7 rangefinder body. The film was Fomapan 100, developed in Tmax developer at a 9:1 dilution. This combo works for me!
Today’s image is of tulips in High Park, Toronto. I took the image using my Rolleicord III Twin-lens Reflex, on Fuji Reala colour negative film. I’ve mentioned before how the Xenar lens on this camera has nice swirlies in the out of focus areas when shot fairly wide open, and I think that effect suited the flowers.
It took a few steps to arrive at the image below (again featuring the lovely Jenna). The original was shot on Fuji Reala ISO 100 colour negative film, using my Rolleicord III twin-lens reflex camera. I had to shoot pretty wide open, and with my eyesight I find this beast a trick to focus at the best of times. her face was not tack sharp, but I liked the image so much I was not prepared to give up. I converted it into black and white, added the antique look and I felt instantly transported back a century.
Today’s image was created with a first generation Polaroid SX-70 camera, and Impossible Project Color Protection instant film. In terms of a concept, the image started off as a technical exercise, but then the symbolism of dying flowers a week after Mother’s Day came to mind, and I thought of my own mother, who passed away around Mother’s Day a few years ago.
I don’t normally publish twice a day, but I really wanted to share this image. What a powerful, haunted face I saw on the subway on the way home this afternoon.
I think today’s image (another one of Jenna in High Park) is the first I’ve posted that was created using a Lensbaby Spark lens. I guess one could call this a piece of neo-primitive technology: the lens has only 2 elements, one fixed aperture, and to focus one pulls the front of the lens back with your fingers, like a built in bellows. What is fun is that by changing the angle of the bellows you can put the focus point anywhere you like.
My Third Eye 