This post is about the background. 🙂 At a local thrift store I found an old bedspread for $5. I love the pattern: it has a vintage look, and in some ways reminds me of Batik. I’ll definitely be using it again! 🙂
Nikon D7100, 18-200mm lens
Today’s image is all about playing with light. I placed my newly acquired YungNuo YN-560 III flash (quite a bargain by the way) behind the glass ball. It was triggered by a built in optical slave when the main flash (my Nikon SB-600 with a Lightsphere) fired. Finally, a cross star filter provided the star effect, when things were lined up precisely.
Nikon D7100, 18-200mm lens
Post work done with Nik Efex and Lightroom
I call this post About Face for multiple reasons. Firstly, after months of shooting black and white, or colours muted by a seemingly endless winter, I wanted to do an about face and shoot some bold, vibrant, highly saturated, over the top colour. Secondly while I still shoot a lot of film, I felt like doing something shamelessly digital, not trying to emulate a film look at all.
Lastly, this post is called About Face as a tribute to the model Jennifer Bettencourt, who consistently delivers great facial expressions, whenever we work together! (Jennifer is multi-talented: she is also the singer on the demo version of a song from my Blitzed musical I am writing. )
Nikon D7100, 18-200 lens, Illumination via Nikon SB600 flash and Lightsphere Diffuser.
Post work done in Adobe Lightroom and Nik Color Efex 4
Today, “In the Beginning” by George “Saint Vybz” Chapman was released. I did the photography for this recording last year, and the cover image was taken using Fuji FP-3000b instant black and white film (recently discontinued by Fuji, boo!) with my Mamiya Universal Press Camera. I used the negative scanning technique for a nice gritty look. 🙂 It was a lot of fun working with George, and my good friend “Stevie Z” at Badly Bent Records for this project! People who read my blog on a regular basis and/or check out my Flickr stream might be able to figure out the location 🙂
Another image of a cold Lake Ontario shoreline. Even though it was a bright sunny day, using the very slow speed Eastman 2366 film (EI 15 or so), mean a rather slow shutter speed (around 1/30th of a second I believe)
Pentax K1000, 28mm/f2.8 SMC Pentax lens
Eastman 2366 film at EI 15, developed in Xtol 1:1 for 10 minutes @ 2o C
This past Saturday I went again to St. James Cemetery in Toronto, and I liked the look of this freshly plowed road leading to a mausoleum. I used my 200mm/f4 lens on my Pentax 67, roughly equivalent to a 100-135mm telephoto lens in 35mm.
Pentax 67, 200mm/f4 Pentax lens,
Tri-X developed on Xtol 1:1 for 9 minutes @ 20 C
I finally finished a roll of Eastman 2366 duplicating film yesterday, both started and finished at the shores of Lake Ontario in Toronto’s Beaches district. 2366 is a slow (EI 15) very sharp film that I am really learning to love the look of! In this image, a casual glance might lead one to think it was sand, but this is all snow, on a bitterly cold January day.
Pentax K1000, 28mm/f2.8 SMC Pentax lens
Eastman 2366 film, E.I. 15, developed in Xtol 1:1 for 10 minutes
Today I went back to the snowy graveyard where I had a shoot late Thursday afternoon. I love the curved iron gate in front of this mausoleum, and the pipes that lead to the arched doorway. I just love lines!
Olympus Pen F 35mm half frame SLR, 17mm/f3.5 Tamron lens (Nikon mount, using an adapter)
Film is Eastman Double-X, developed in HC-110 dilution B for 6.5 minutes