On a cold and blustery Saturday, a very brave Rowena was an amazing model for an outdoor dance-themed shoot.
Rolleiflex E3, 75mm/3.5 Xenotar lens
Kodak Ektar 100 film, negative scanned
and edited with Lightroom and Nik Efex
From my steampunk shoot with talented author Rebecca Diem who has just published The Stowaway Debutante, a fun steampunk read. I had the idea for the prop (the world’s oldest camera-phone? 🙂 ) some time ago, and this shoot was the perfect time to use it!
Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X @ EI 800, developed in DiafineÂ
I had the pleasure of working with Sabrina, (the daughter of a theatre friend of mine) on Thursday. As someone with both dance and theatre experience, Sabrina was a natural when it came to posing and expression, and needed next to no instruction.
Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X, EI 800, developed in Diafine 3+3
On Saturday I was again down at the Toronto Beaches, and among the films I was shooting with my Rolleiflex was Rollei IR 400, a film that is sensitive to light in the infrared portion of the spectrum. With a nearly opaque IR 720 filter, one gets an almost otherworldly view of an otherwise normal sunny day.
Rolleiflex E3, 75mm/3.5 Xenotar with IR72 filter (via Bay 2->52mm adapter)
Rollei IR 400 film at EI 12, developed in Xtol 1+1 12 min @ 20 C
I’ve never had much luck with Ilford HP5+ in 35mm; my scans always had too much grain for my taste, and I didn’t like the tonality. Shooting in medium format (at an exposure index of 250 instead of the box speed of 400) Â I am liking the results better!
Rolleiflex E3 with 75mm/3.5 Xenotar lens
HP5+ film at E.I. 250, developed in TMax Developer
1+9 for 14 minutes @ 20 C