(It’s going to be digital for a while, until I can stand up in my darkroom again) The weather in Scotland was a constant swirl of sun, cloud and rain, normally at the same time š
Nikon D7100, 18-200mm lens,
post work with Lightroom and Nik Efex
Yesterday I went down to the Beaches with a couple of cameras loaded wih EFKE 820 Aura infrared film. This film is no longer made, and the remaining rolls are fetching high prices on eBay etc. I had three rolls of this stock, two years past date and not cold-stored, so there is no way the film should have worked, but it did š
Rolleiflex E3, 75mm/3.5 Xenotar lens with IR72 filter
One second exposure @ fll
This past Saturday I went to nearby Taylor Creek Park to shoot some Rollei Retro 80s film (with my Rolleiflex). One of the advantages of this film is that if you use an infrared filter (such as an IR 72 that looks almost completely opaque to the naked eye) you can do infrared photography, and I just love the ghostly, otherworldly look you get when doing this.
The Rolleiflex is a perfect camera for infrared: as a twin lens reflex camera, the viewing lens is not covered by the filter so focussing is never an issue. On a single lens reflex camera, the filter must keep coming off (for focusing/composition) and on (shooting).
All images taken with Rolleiflex E3, 75mm/3.5 Xenotar lens with IR72 filter
Exposure 1/2 to 1 second @ f16, on Rollei Retro 80s film
Film developed in Rodinal 1+50 for 14 minutes @ 20 C