Back to the early morning Beaches role of slide film for one more image.
Nikon N90s, Velvia 50 E6 slide film
Testing My New F4
My new (to me) Nikon F4 body arrived this week, so I now have one to replace the one that was stolen. I went out yesterday, despite the gloomy light to shoot a test roll. I did’t have any 400 speed film so I shot a roll of Svema Foto 100, which made for some very slow shutter speeds handheld, but thankfully wide-angle lenses such as the Tamron SP 17mm/3.5 I was shooting are more forgiving. 🙂
Picking Up Slide Film
On another dreary winter day in Toronto, with a dull light that just sucks the enthusiasm right out of me, it was nice to pick up a roll of colour slide film that I had sent in for processing.
Nikon N90s, 105mm/2.5 AI lens.
Fuji Velvia 50 Slide film
Back to the Plant #3
One final image from this series of the W.H. Harris Water Treatment Plant. The grey dull day seemed to align with the austere nature of the building.
Nikon N90s, 17mm/3.5 Tamron SP lens
Kentmere 400 film
Mirror Frame and Shadows
This caught my eye in my hotel room.
iPhone 6+, Hipstamatic App
Back to the Plant #2
Another image of one of the R.H. Harris Water treatment plant. Fixing the converging vertical lines is a lot easier in post working with a scan than doing it in the darkroom by tilting the easel.
Nikon N90s, 17mm/3.5 Tamron SP lens
Ultrafine Xtreme 400 film
Back to the Plant
I have shot the R.H. Harris Water Treatment Plant in Toronto a few times, but never with the Tamron SP superwide 17mm/3.5 lens so out I went last weekend. The very grey, flat lighting gave an interesting look to a very interesting building.
Nikon N90s, 17mm/3.5 Tamron Superwide lens
Kentmere 400 film
Family
Another image from a foggy day at the Beaches on Saturday. I was struck by this scene of a family in the distance looking out at the fog.
Nikon N90s, 105mm/2.5 Nikkor AI lens
Kentmere 400 film
Winter Fog
Yesterday was a foggy day at the Beaches. I was shooting with my Nikon N90s and Nikkor 105mm/2.5 (replacing the one that was stolen). The film was an old expired roll of Ultrafine Xtreme 400 I had lying around and the result was grainier than I would have liked, but perhaps for the fog the effect works.
Old Iron
A close up of the coupling mechanism of an old train.
Nikon FM, 35mm/2.8 Nikkor lens
Kodak TMax 400 film
My Third Eye 