Back to High Park, with the Carl Zeiss Jena 50mm/2.8 lens mounted on an old Spotmatic. The water was very still that chilly morning. Shot on Kodak Tmax 400.
Category: Toronto
On the Path
It was a bright (if cold) Sunday morning this past weekend, so I decided to go to High Park (and take the entrance near the Keele subway station). I had a couple of cameras with me; this image was taken with an old Pentax Spotmatic, with a 50mm/2.8 Carl Zeiss Jena lens mounted. I love the look of the images from this lens! (Shot on Kodak Tmax 400 film)
Morning Light
I was out this morning at Todmorden Mills; it was cool, but some amazing light to work with. One of the cameras I was using was my Mamiya Universal Press, with a 90mm/3.5 lens and a 6×9 medium format back attached. I was shooting Rollei RPX 25, a very slow speed film an with a small aperture the tripod was a necessity for the 1/4 sec or so shutter speed.
Stand developed for 1 hour in Rodinal 1+100 @ 20 C
In Colour
I’ve shot the wagon wheels in Toronto’s Distillery District a number of times, but this is the first time in colour, and my first time shooting Kodak Portra 800. Shooting in 6×9 format (spooled for 620 for my Medalist) I am amazed at the tight grain structure for an 800 speed film! I will need to get more of this stock!
Home-developed with Argentix.ca C-41 kit
Autumn
In my opinion, Kodak Ektar 100 colour negative film was made for autumn; there is just something about the colours. This image was taken a couple of weeks ago in High Park with my Canon P rangefinder and 35mm/2.5 Voigtlander Color Skopar lens. I developed it at home with C-41 chemistry from Argentix.ca
Solitude
Last Sunday morning on the U of T campus. Did she find solitude or did solitude find her?
Canon Rebel TI, Helios 44 58mm/2 lens (39mm mount) via adapter
Rollei Retro 80s film, stand developed 1 hour in Rodinal 1+100 @ 20 C
Complicated Light
Another image from my walk around the University of Toronto campus on Sunday morning. This is a doorway at Trinity College. I loved the dappled, complicated light I was seeing that morning!
Canon Rebel TI with Helios 44 58mm/2 lens (39 mm mount, via adapter)
Rollei Retro 80s film, stand developed for 1 hour @ 20 C in Rodinal 1+100
Sharp Light
Yesterday afternoon was a lovely sunny fall day, with a low sun that created interesting hard-edged shadows with a lot of crispness It would have made outdoors portraiture tough, but for what I was shooting at the University of Toronto campus it was perfect.
Canon Rebel TI, 58mm/2 Helios 44 lens, mounted via adapter
Rollei RPX 25 film, stand developed for one hour in Rodinal 1+100 @ 20 C
Fallen
This image is a from a recent visit to the military section of the cemetery at St. John’s Norway in the east end of Toronto
Rolleiflex 3.5E3, Xenotar lens
TMax 100 film
Shooting What I Feel
I have probably mentioned this before, but my own theory of photography involves images that tend to fall into three categories:
- Shooting what is in front of the camera
- Shooting what I see
- Shooting what I feel
My goal as much as possible is to shoot images that fall into categories 2 and 3, and for me this image from the shore of lake Ontario last Sunday falls into category 3. The light was dramatic, and in post I heavily accentuated the drama of the light to match the emotional response I was feeling.
Kodak Medalist I with 100m/3.5 Kodak Ektar lens
Tri-X (120 film respooled onto 620 spool)
Developed in Xtol 1+1 9 minutes @ 20 C
My Third Eye 