This past weekend I was at a large family gathering outside Ottawa to celebrate the 80th birthday of my uncle Martin. I brought along my 4×5 Speed Graphic with my 1860’s brass Petzval lens to get a portrait. Martin has had a most interesting life, with both joys and sorrows, and I think this lens once again managed to “get behind the eyes.” To me, it is as if he is contemplating his life in this image.
Shot on Ilford HP5+ film, pulled to around EI 200, developed in Tmax Dev
My third post of Natalia, this one shot with a Pentax Spotmatic and one of my Helios 44/2 58mm lenses, on Rollei Retro 80S film. I continue to be amazed at what this film can do with dull light!
This is the second post featuring an image from my shoot with Natalia Nix last week. I am surprised this one turned out; the light made it hard to see in the viewfinder of my Rolleiflex and it was so humid I was literally sweating into the viewfinder. Even though the original scene was very dull, I went with a high key look on the final version of the shot, taken on Tri-X.
I had the pleasure yesterday of working for the first time with Natalia Nyx, who is a photographer in her own right, and obviously talented on both sides of the lens! Yesterday, on a very dull and muggy afternoon, we shot at St. James Cemetery here in Toronto. I had three cameras with me, including the Speed Graphic and Petzval, and an image from that camera is what I am starting with. (Shot on HP5+ film) More images of Natalia from this shoot to come!
Yesterday I got together with my friends Maria and Coner for a shoot using my 4×5 Speed Graphic and my 1860’s Brass Petzval lens. The result below (shot on Ilford FP4+ film) just might be my favourite couples portrait I’ve ever shot :-). Love and film photography: both are timeless.
I was out with two good friends Bryon and Ken on Saturday evening, and with me I had my Olympus Pen F 35mm half frame SLR (dating from the early 1960’s) with a 38mm/1.8 Olympus Zuiko lens. The film I was shooting was Eastman Double-X, which is actually meant for 35mm movie camera use. It is not particularly fine grained film, and the smaller half frame negative magnifies this, but I like the gritty documentary look, especially for my friends who have both had interesting lives, with a lot of interesting stories to tell.
The final post from our shoot with Amy. Music, like teaching, is a journey.
Rolleiflex 3.5E3, 75mm/3.5 Xenotar lens
Tri-X developed in Xtol 1+1 for 9 minutes @ 20 C
Here is the second image from the photoshoot with Amy last week. This image was created with my Zenit 3M 35mm SLR and Helios 44/2 lens, to get the swirly bokeh in the background. The film used was Rollei Retro 80s, and I added some diffusion in post.
Earlier this week myself and another photographer had a photoshoot with a cheerful and talented teacher and musician named Amy. I used three different cameras, so I will do three different blog posts. Tonight, I am starting off with the 4×5 and1860’s Petzval lens, shot on HP5+. This lens has a knack of picking up interesting expressions 🙂
The third of the images of the shoot with Zoe this past weekend was created with my 1860’s era Petzal Brass lens, mounted on my 4×5 Speed Graphic. Hard to focus, and a cumbersome shooting experience, but the results are so worth it when I get it!
Ilford FP4+ sheet film, developed in Tmax Dev
My Third Eye 