Category: Mamiya RZ67

Toronto in Colour

This image is from the first roll of colour film I’ve developed at home in quite a while. The ice rink at Nathan Phillips Square is long gone, but the water for the summer has not been topped up, so this in-between time made for some great reflections.

Mamiya RZ67 camera, 75mm/4.5 PC X lens
Kodak Ektar 100 C-41 colour film

Building in Sunlight

I like the look of buildings in bright morning sunlight: angles and edges look especially sharp and defined. This is Metropolitan United Church in downtown Toronto.

Mamiya RZ67, 7mm/4.5 PC lens
Rollei RPX 25 film developed in Rodinal

Same Chairs, Different Season

There are a number of these sets of chairs at the Toronto Beaches, and I have featured them a couple of times in the past. This is how they caught my eye in the winter.

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Mamiya RZ67, 65mm/4.5 lens
Ilford Delta 400 film @ E.I. 200
developed in LegacyPro MicX developer

Winter Dock

On Saturday I took my Mamiya RZ67 down to the Beaches. It was a very still, very grey day, and sometimes it was hard to see where the water ended and the sky began.

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Mamiya RZ67, 65mm/4.5 lens
Ilford Delta 400 @ E.I. 200
developed in LegacyPro MicX developer

Two More Chairs At The Beaches

There are a number of pairs of these chairs at The Beaches in Toronto. I recently posted an image of a pair of chairs in colour; today it’s black and white, taken Sunday morning with my Mamiya RZ67, Rollei RPX25 film and the combination of red and polarizing filters to darken the sky.

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Ghost Water

I was down at the Beaches again this morning; my Hasselblad is in the shop, so out came the Mamiya RZ67 (Medium format, 6cm x 7cm negative size). I was shooting Rollei RPX25, with a combination of red and polarizing filters to darken the sky, so I was shooting at an effective speed of EI 1, meaning that even on a bright sunny day the exposures were in the range of  half a second to one second in length. I love the blurring effect on water, especially crashing water in this morning’s lively breeze. It seems ghostly to me.

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