This week I am in Scottsdale, Arizona and it is hot even for this time of year: over 100 degrees Fahrenheit, 40 C every day. Today’s image is the view I get when I step out of my hotel room, captured on my iPhone using the Hipstamatic app and “infrared” film. The “wrong” colours actually capture the feeling of being in this spot better than accurate colour rendition ever would.
I continue to be amazed at what images can be found riding the TTC (Toronto Transit Commission subway). There is a raw, gritty intensity to be found inside every subway car that I find irresistible.
I continue to use the iPhone 3GS and the Hipstamatic app; so far, none of my subjects have been aware of me taking their picture. I feel though that eventually I will get caught out, and I wonder how the situation will play out. If I want to keep doing “street” photography, it is something I will have to deal with.
I met an artist yesterday via a mutual friend. Her medium of choice is Encaustic Painting, involving the use of oil pigments suspended in melted beeswax. This technique is both ancient and challenging, and her studio showed evidence of mastery and enthusiasm. It seemed to me that the studio itself, covered with colour, was a portrait of the artist.
In addition to some black and white photos taken with my vintage Nikkormat, I also used my iPhone to capture some of the colour. My good friends Rob Lee and Katherine Matthews (also along for the visit) recommended the free Morelomo app, and as I love vintage/Lo-Fi photography I had to give it a try; I was quite happy with the results!
I’m having fun working on one project right now, a lo-fi iPhone project capturing the experience of my daily commute to and from work on the TTC (Toronto Transit Commission). I go the work early, and am normally on the subway by about 6:20 a.m. At that time of day, one does not see the rich latte drinkers, or other privileged classes of Toronto that for so many people form their only impression of the city. One sees the working class, an awful lot of diversity, and often, sheer fatigue, which I tried to capture in the photo below, taken with the iPhone 3GS camera, then given a vintage, lo-fi effect which I feel was ideally suited for the mood.