This image was made with my Nikon D90, and processed using the just released Nik Software Silver Efex Pro 2. We were all on the ferry boat from St. Thomas in the U.S. Virgin Islands to Virgin Gorda in the British Islands when I noticed this building on an island, quite some distance away. Luckily, as we left port we got close enough for me to take some images. Even though the original capture was a colour digital image, from the beginning I knew I needed a vintage black and white treatment, so Silver Efex to the rescue:
Category: Digital
Bottling Joy
Last night I got back from a week in the British Virgin Islands. A business meeting, but no shortage of fun, and time for photography! (Both film and digital). The image below is one of my favourites from the trip: a couple living and loving the moment. Just for a moment, I felt like I had bottled joy.
Votive Candles
As a born-again agnostic, I feel a bit conflicted when making images with religious themes. I am still drawn to religious architecture and some liturgical music, but right now that’s as far as it goes. The image below is from the Dome cathedral in Cologne. I was drawn by the atmosphere, ritual and sense of history, but that’s about as far as it goes right now.
Artificial Flavour
Today’s image was originally captured back in the fall of 2010. Originally taken on Ilford XP2+ film, I added the toning and the vignetting in Aperture using the Silver Efex Pro plug-in. I am quite happy with how the image turned out, but since I’ve been doing a lot of film recently, I still can’t help but have some mixed feelings, like I’m using artificial vs. natural flavours. Then there is the fact that using the plug-in is fairly quick; I spent about 20 minutes fiddling with the image, compared with what would have been required in the darkroom: two extra chemical steps, and likely multiple attempts to get the burn-in for the vignetting just right.
Am I cheating?









