Category: Color

The Right Approach

I am not a purist. While I love traditional film, I don’t get religious about it; I will use digital as well, when the situation calls for it. Today’s image is an example, shot with the talented and very creative model Emily Decoteau. I did use film as well for this shoot (currently hanging drying in my darkroom), but there is a certain kind of vibrancy in this image that I ascribe to the use of a digital camera. It will be interesting to compare this image to the film versions, and I suspect it won’t be better/worse,  just different.

Emily in Blue

Instant Gratification

The guys on the Film Photography Podcast spend a lot of time talking about shooting instant photography, so I decided to take the plunge, and through the FPP store I got a lovely Polaroid 100 Land camera, for which Fuji still makes colour and black and white film packs (the peel apart variety). During the instant photo walk in Cleveland on Saturday (as part of the Analog Pulse Photography Meet-up, to be covered in a future post), I took this image using the FP-C 100 colour instant film. The process of shooting instant is a lot of fun, different from both traditional film and digital shooting, with its own kind of slightly delayed instant gratification. I’m hooked 🙂

Cleveland Street View

Keira in Colour

As a follow up to the last post, here is one of the colour images from the shoot with Keira at Kensington Market. Although black and white is my “mother tongue” when it comes to photography, there are times when the language of colour is the only thing that will do, and I believe this is one of those times. I love the pink and blue neon sign with Keira’s auburn hair, both glowing, and capped off with a touching expression.

By the Sign

(Nikon FE, 105mm/f2.5 Nikkor lens, Kodak ISO 200 Colour Negative film, processed using JOBO C-41 kit, post work done with NIK Color Efex Pro 3)

First Home-Developed Colour!

This image is from some street shooting I did in Ottawa last weekend. (If you look closely you can see me taking the picture; I’m the second bald head ;-)).

This was also the first roll I developed at home using C-41 colour negative chemistry; it was not hard at all — the only challenge was maintaining the higher temperatures required

Pab2012 Colour022

Colour

Today’s image is from a recent shoot with the very talented Emily Decoteau. Although mainly a black and white shoot, I did shoot one roll of colour: some Fuji slide film, using a Nikon FE 35mm SLR, and a Nikon 105/f2.5 portrait lens (a classic lens that I got a steal of a deal on!). Although this is a colour shot, it is dominated by red. I had mentioned to Emily how well the red hair, dress and nails went together and she said, “you’d almost think I coordinated it this way!” and I realized that my alter ego Captain Obvious had struck again 🙂

The Colour Red

Ideas

I love it when models come to a shoot with ideas — a good shoot is always a collaboration, and Miranda came not only with some amazing props (such as the broken garnet jewelry) but great ideas for unconventional poses (she was shot from above in this image).

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One item of note: this is the second post in a row where I have featured a digital image (taken with a Nikon D90 camera). I wouldn’t call it a trend, but in this case, being able to show Miranda the shots immediately helped spur the creativity and refine ideas, which is never a bad thing.

Expressions, Again

More expressions, this time from Natasha Henderson, a Toronto comedian and actress, whose strong personality and presence made for a lively and fun photo session combining a retro film noir look with poking fun at old attitudes regarding the role of women. Natasha’s enthusiasm was great, and as a result she created a memorable character!

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See Natasha in action on Youtube.  She is the host of Comedy Thursdays at the Starving Artist in Toronto.

A Happy Exception

In the past, whenever I have been asked to shoot a wedding, I have politely declined (while resisting the urge to run away screaming). It’s pressure I don’t need, and the modern day wedding for many people has been turned into a spectacle bordering on an ordeal — a display of conspicuous consumption and bad taste, from the stretch SUV in the morning to pulling off the garter at the reception. Add an overwrought bride (often referrred to as a “bridezilla” in the business) and the recipe for disaster is complete.

The wedding I shot yesterday was a happy exception: the wedding was low key but beautiful, with the service just as (if not more) important than the reception.   Just two people obviously very much in love, and very happy. The air was filled with a quiet joy, and I am glad I made an exception when it came to photographing this wedding.

From the first wedding I've ever shot

Accuracy

This week I am in Scottsdale, Arizona and it is hot even for this time of year: over 100 degrees Fahrenheit, 40 C every day. Today’s image is the view I get when I step out of my hotel room, captured on my iPhone using the Hipstamatic app and “infrared” film. The “wrong” colours actually capture the feeling of being in this spot better than accurate colour rendition ever would.

Outside my hotel room in Arizona

The Eyes of the Actor

I took this photo for a production of Man of La Mancha that I am currently in, and shows two of the main characters, Don Quixote (played by Robbie Burko) and Sancho Panza (played by Antonio Olivito). What strikes me are their eyes — it shows how much they have both internalized and become their characters, as well as how much energy they bring to their roles. When I work with models, I try to get them to think like actors: find a story, a reason for a facial expression, etc. In a lot of ways, actors make the best models.

Don Quixote and Sancho Panza

If you’re in the Toronto area, why not come see the show? Show dates are May 4th, 5th, 6th, 10th, 11th, 12th and 13th. (More information and tickets here) I will be playing two roles: “The Governor” (a rather nasty prison gang leader) and “The Innkeeper” (who is actually a rather nice guy).

Hope to see you there!