Another post anthropomorphizing trees and the changing seasons. While some trees have changed colours, others are still stubbornly staying green as long as possible.
Hasselblad 500C/M, 50mm/4 Distagon lens
Kodak Ektar 100 film
In my first fall colours post yesterday I used the word “defiance” describing the bright leaves still on the tree. The three images today are more about the leaves that have already fallen, covering the ground in colour, but dead and resigned. All three images created with my Hasselblad 500C/M and 50mm/4 Distagon lens, using Kodak Ektar 100 film.
On a clear evening at the Beaches, the waters of Lake Ontario take on a lovely intense blue shade, quite unlike the colour in the morning or during the rest of the day. The only changes to this image in post were contrast and an exposure level adjustment
Hasselblad 500C/M, 150mm/4 Sonnar lens
Kodak Portra 400 film
Thanks to my friend Bill Smith I tried Cinestill 50D film recently. This film is Kodak Movie stock, but with the black anti-halation backing removed, to make it easy and safe to process using standard C-41 chemistry. Both these images were taken at Harbourfront with my Nikon F2 SLR and 28mm/2.8 Nikkor lens.
I tend to not do a lot of night photography, and I really have to change that! It is a real gap in my work. I did do a night shoot the other evening with fellow photographer friend Bill Smith: I love the night time look of the Murphy’s Law pub in Toronto at Queen St / Kingston Road. We set up our cameras on tripods across the street an shot during gaps in the traffic.
Hasselblad 500C/M, 80mm/2.8 Planar lens
Lomography 400 C-41 film
Today, one of the first of a couple more images from the White Water Walk near Niagara Falls, Ontario. Rather than focusing on the water, I am focusing on the walkway beside the rapids. This image (taken with my Hasselblad 500C/M and 50mm/4 Distagon lens) was originally shot on Lomography 400 colour film, but after scanning, I think I like the black and white version better, with its emphasis on textures.