Category: Black & White

Timeless

Yesterday I got together with my friends Maria and Coner for a shoot using my 4×5 Speed Graphic and my 1860’s Brass Petzval lens. The result below (shot on Ilford FP4+ film) just might be my favourite couples portrait I’ve ever shot :-). Love and film photography: both are timeless.

Maria and Coner

Bike Posts

Another image from my Olympus F 35mm half frame and my trip to Harbourfront in Toronto this past weekend. I’ve always found these bike locks interesting, especially if one is a bit bent, like me πŸ™‚

No Bikes

Olympus Pen F, 38mm/1.8 Olympus Zeiko lens
Rollei Retro 80s film developed in Rodinal 1+1 14 minutes @ 20 C

With Friends

I was out with two good friends Bryon and Ken on Saturday evening, and with me I had my Olympus Pen F 35mm half frame SLR (dating from the early 1960’s) with a 38mm/1.8 Olympus Zuiko lens. The film I was shooting was Eastman Double-X, which is actually meant for 35mm movie camera use. It is not particularly fine grained film, and the smaller half frame negative magnifies this, but I like the gritty documentary look, especially for my friends who have both had interesting lives, with a lot of interesting stories to tell.

Ken

Bryon

Getting Reaquainted

It has been a while, but I decided to get out my Olympus Pen F 35mm half-frame SLR last week. Since my recent back injury, I have to be careful about carrying heavy gear for extended periods, so going out with one lens and one compact camera is a joy. :-). Using a fine grain film such as Rollei Retro 80s means I am not sacrificing much by using a smaller format negative.

In the HarbourToronto Police Marine Unit Facility

On the TrailOn the Trail in Taylor Creek Park

Amy 3

The final post from our shoot with Amy. Β Music, like teaching, is a journey.

Amy Tri-X007

 

Rolleiflex 3.5E3, 75mm/3.5 Xenotar lens
Tri-X developed in Xtol 1+1 for 9 minutes @ 20 C

Amy 2

Here is the second image from the photoshoot with Amy last week. This image was created with my Zenit 3M 35mm SLR and Helios 44/2 lens, to get the swirly bokeh in the background. The film used was Rollei Retro 80s, and I added some diffusion in post.

Amy playing Guitar

Amy 1

Earlier this week myself and another photographer had a photoshoot with a cheerful and talented teacher and musician named Amy. I used three different cameras, so I will do three different blog posts. Tonight, I am starting off with the 4×5 and1860’s Petzval lens, shot on HP5+. This lens has a knack of picking up interesting expressions πŸ™‚

Amy with the Guitar

Inside the AGO

I love the Art Gallery of Ontario πŸ™‚ Not only am I regularly inspired by the art it contains, I just love the architecture of the place!

Inside the AGO

Rolleiflex 3.5E3, 75mm/3.5 Xenotar lens.
Ilford FP4+ developed in Rodinal 1+50 for 14 minutes @ 20 C

Back to Scotland

While one can get caught up in the vastness of many scenes in Scotland, it is also worthwhile getting up close, as in these moss covered paleolithic building stones.

Scotland012

 

Rolleiflex 3.5E3, 75mm/3.5 Xenotar lens
Fuji Neopan Acros 100 film, developed in Rodinal

ZoΓ« 3

The third of the images of the shoot with Zoe this past weekend was created with my 1860’s era Petzal Brass lens, mounted on my 4×5 Speed Graphic. Hard to focus, and a cumbersome shooting experience, but the results are so worth it when I get it!

Zoe with Petzval lens

 

Ilford FP4+ sheet film, developed in Tmax Dev