Category: Black & White

Time Warp Tuesday: The Dancers

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I am reinterpreting Time Warp Tuesday again, by not posting an old image, but rather trying to go for a timeless feel. This image was taken at the Ballet dress rehearsal I mentioned in my previous post. By using black and white analog film I feel I was able to capture the timeless nature of the ballet; an artistic discipline that on one had is very proscribed and restricted, but on the other still manages to allow talented dancers to create something special within its confines. A ballet could be a hundred years old, but I don’t think I could ever use the term “period piece” to describe it.

By not trying to be “the new thing” art can liberate itself from the timeline.

Dancers

Winter’s Here

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Given we’re only a few hours away from a rather healthy snowstorm here in Toronto, I thought it would be appropriate to post a winter picture. The run off on the back of our roof has the knack of creating great icicles, and I’ve been shooting them a lot recently. I made this image a few days ago, using my Mamiya M645 medium format camera and 80mm macro lens on Delta 100 film.

More icicles

What an Image Can Hide

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Quite often people talk about what an image can reveal, but today I will talk about what an image can hide. This is an image I created this past week by the Don river, using my Mamiya M645J camera, and Tri-X film. Except for the lamp post in the middle of the image, there is nothing to indicate that this is a polluted river in the middle of central Toronto, as opposed to some unspoiled wilderness somewhere else.

One experiment I plan to try this year is to take a water sample from this river, and develop a roll of black and white film with it; it wouldn’t surprise me if I get a recognizable image!

Another View of the Rocks

Time-Warp Tuesday: Just a Memory

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Today’s image is from the summer of 1977, and I again go back to my grandparent’s acreage outside Truro, Nova Scotia. This old see-saw, like everything else there, is long gone. Only the silver in the negative seems to be immortal.

SeeSaw in Old Barns, Nova Scotia
I don’t remember if I ever printed this negative back in the 70’s, and certainly never looked at it all that closely. What amazes me is the sharpness of most of the image. My old Yashica TL-Electro was very much a budget model, a few rungs below the Nikon, Canon and Pentax classics of the day. But the 50mm f1.9 lens that came with the camera had a reputation for amazing sharpness, and that reputation was deserved.

Baring My Soles

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Today’s picture (taken with my Nikon FM, using recently discontinued Fuji Neopan 1600) is an image of perhaps the most comfortable pair of slippers I have ever owned. My mother-in-law knitted them for me many years ago, and as the image below indicates, they are somewhat worn.:-) I just can’t seem to part with them though, as they are so comfortable, and do a great job of keeping my feet warm. I feel the same way about my film cameras, although they are are in much better shape than these old slippers.

Baring My Soles

Artificial Flavour

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Today’s image was originally captured back in the fall of 2010. Originally taken on Ilford XP2+ film, I added the toning and the vignetting in Aperture using the Silver Efex Pro plug-in. I am quite happy with how the image turned out, but since I’ve been doing a lot of film recently, I still can’t help but have some mixed feelings, like I’m using artificial vs. natural flavours. Then there is the fact that using the plug-in is fairly quick; I spent about 20 minutes fiddling with the image, compared with what would have been required in the darkroom: two extra chemical steps, and likely multiple attempts to get the burn-in for the vignetting just right.

Dundas Square, Toronto

Am I cheating?

From Beyond the Grave …

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I wonder how many rolls of undeveloped Kodachrome are still out there? Of course they cannot be conventionally developed, but they can still be processed as black and white, since Kodachrome is basically black and white film to which dyes are added in development. (This process of adding dyes in development is what made the process so complicated). I had a couple of exposed rolls that I just never got around to sending to Dwaynes in Kansas City for processing, so after reading about how some other people had done it, I gave it a shot last night.

I used a developer called Rodinal, (dating from 1893!) at a dilution of 100+1, and was thrilled to get usable results, such as the image below. I still have a couple of unexposed rolls of Kodachrome that I can now use; I just won’t get “nice bright colours.”

Kodachrome Processed As B & W