Category: Black & White

Ideal Format?

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Today, another image captured yesterday at the Distillery District in Toronto with my Pentax 67. the 6 cm by 7 cm format has been called by some the “ideal format”; one reason is that you can print on 8×10 paper with no cropping to speak of. By contrast, 35mm would required 8×12 paper to do the same.

Despite this, I found a couple of my images worked better when cropped as square (or at least “squarish”), including this image. With the sun still relatively low in the horizon at 10 am on a mid October day I liked the start look of the shadows on the building.

Scan-131012-0006.jpg

(Taken with 105mm/f2.4 lens, Kodak TMax 400 film developed in TMax developer)

Distillery District

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Today’s image was created in Toronto’s Distillery District, using my Pentax 67 medium format camera. Larger sized negatives (such as the 6cm x 7 cm negatives created by this camera) make grain less of an issue so I was able to use Rodinal developer, which emphasizes sharpness rather than fine grain.

Wagon Wheel

Swirls

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Today, another image shot with my Soviet Russia era Helios 44/2 58mm/f2 lens. I took this image with the lens mounted on my Yashica TL-Electro SLR body, using Kodak Cinema XX film at E.I. 200. The occasion was the engagement photo shoot of GIllian and Kari.

The Helios 44/2 lens has achieved cult status in some quarters due to the “swirl” one can achieve in the unfocused parts of the image, when shooting wide-open, and the effect is really evident in this image. Shooting in full shade wide open at 1/60th means the image isn’t tack sharp, but I do love those swirls 🙂

Helios 44/2

Twilight Portrait

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Today, one of the film images from the session with Jennifer this past Saturday. This shoot marked the first time I used a recently acquired Helios 44/2 lens (58mm, f2). This lens is a Soviet Russian era copy of a Carl Zeiss Biotar, and has quite a cult following in certain circles. The fact that its focal length is slightly longer than normal for a “normal” lens makes it great for portrait work. In this shoot I had it mounted on my Yashica TL-Electro. The lighting was not bright, so I was shooting wide open at 1/60th of a second, on Ilford HP5+, pushed to E.I. 800. I like the gritty, documentary look I got: it is a good match for Jennifer’s intense expression. She is a master at bringing emotion into a shoot!

Candle Portrait

Energy

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Lens flare is often seen as a defect in an image, but sometimes it works. Pointing almost directly at the sun I am surprised there wasn’t more!

Power

 

(Pentax K1000 35m SLR, 28m/f2.8 SMC Pentax lens with yellow filter,
Rollei 80s with yellow filter, developed in Rodinal 1+50, 14 minutes) 

Reclaimed

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I keep get drawn back to this disused railroad in the Don Valley in Toronto. Apparently it has only been about 6 years since it was last used, but it doesn’t take long for nature to start reclaiming it.

Old Railroad

 

(Pentax K1000 35mm SLR, 28mm/f2.8 SMC Pentax Lens with yellow filter,
shot on Rollei 80s film developed in Rodinal 1+50 for 14 minutes) 

Watching and Waiting

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Today’s image was created using my Yashica TL-Electro: my very first 35mm SLR camera, purchased in 1977 when I was fifteen. It has sat idle for almost 20 years until I recently decided to pick it up and see if it still worked. (It did, once I sourced non-mercury batteries). The image was taken inside the Eaton Centre is downtown Toronto of a man who appeared to be watching and waiting. In fact, the somewhat melancholy mood of the photo reminds me of the Moody Blues song Watching and Waiting.

Watching and Waiting

 

(Yashica TL-Electro, 135mm/3.5 Pentax Super Takumar lens, Ilford Delta 400 film developed in TMax developer)

Behind the Veil

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Today another image from High Park, shot on Rollei 80s film with a red filter. I continue to be amazed at the different reality I get with this film/filter combo. It’s look pulling back a veil.

High Park(Pentax K1000, 28mm/2.8 Pentax lens with 25A red filter, Rollei 80S film developed in Rodinal 1+50 for 14 minutes)

 

At Water’s Edge

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I don’t know what it is about being by the water that gets people to stop and contemplate. maybe we are unconsciously communing with our distant ancestors who lived in the sea before evolving to live on land?

Scan-130911-0003(Nikon F2, 105mm/f2.5 lens, Tri-X film)