I’ve had the privilege of working with sisters Sabrina and Rowena recently, and here is an image of them together at Allen Garden’s last Saturday. I think the relationship that sisters have can be a complicated dance. 🙂
Rolleiflex E3, 75mm/3.5 Xenotar lens
Ilford Delta 3200 developed in DD-X for 12.5 minutes @ 20 C
I first met Karen a number of years ago, when we both had images in an exhibit of photographs from the G20 incident in Toronto. A talented, resourceful and strong woman, she has a lot of presence in front of the camera!
Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X @ EI 800 developed in Diafine
Negative Scanned and post-processed in Lightroom and Nik Efex
Another Tree Roots image. Black and white was made for subject matter like this!
Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X @ EI 800 developed in Diafine
From a recent walk in the ravine near Yonge/St. Clair. For a black and white shooter, this kind of texture is priceless.
Rolleiflex E3 75mm/3.5 Xenotar lens
Tri-X @ EI 800 developed in Diafine
Shooting was a challenge in terms of light this past Saturday. Indoors at the Allen Gardens on a dreary day it was not very bright. I had one roll left of Delta 3200, and developing it in DD-X (at the time listed for EI 6400, not 3200) gave a look I quite like, wit ha smooth tonal range.
Rolleiflex E3, 75mm/3.5 Xenotar lens
Ilford Delta 3200 film @ EI 3200
Developed in DD-X 1+4, 12.5 minutes @ 20 C
It was lovely to work with Natasha again. Since we last worked together she has discovered she has a great talent for drawing, so a portrait of her makes a nice addition to my long term “Portrait of the Artist” project. In her expression I see the same thing I have been privileged to see in a number of artists: the joy of imagination, and the ability to tap into it. Shot in late afternoon in a fall day with the light rapidly fading, the Tri-X/Diafine combination made this film image possible.
Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X @ EI 800 developed in Diafine
Yesterday at St. James Cemetery: the dazzling sunshine and shade from the leaves still left on the tree made for very contrasty lighting, but the film/developer combination did a decent job in holding a lot of the shadow detail.
Rolleiflex E3, 75mm/3.5 Xenotar lens.
Rollei PRX400 film at EI 320 developed in Pyrocat HD, 18 minutes @ 20 C
Here is another image from the roll of HP5+ film I developed in Pyrocat HD developer yesterday. This developer has really “unlocked” this film for me. Taken in Niagara-On-The-Lake on a very dull day this past summer, the tonality is much better than I would have expected.
Baby Speed Graphic with 120 6×7 film back,
101mm/4.5 Ektar lens.
Ilford HP5+ film developed in
Pyrocat HD 1+1+100 for 19 minutes @ 20 C
Today I tried Pyrocat HD film developer for the first time on a roll of HP5+ that I never got around to developing after shooting it this summer. “Pyro” based developers date from the early 1850’s, and it is always fun to try classic tools and techniques, and as for HP5+, from now on this will be my go-to developer for this film!
“Baby” Speed Graphic with 101mm/4.5 Ektar lens
HP5+ film developed in Pyrocat HD
I really liked the look of the bridge through the Weeping Willow tree at this location in Taylor Creek Park, Toronto.
Rolleiflex E3, 75mm/3.5 lens
Kodak Tmax 100 film at EI 50,
developed in Rodinal 1+50 for 1o minutes @ 20 C
My Third Eye 