Category: Available Light

At the Extreme

After having recently had success with shooting medium format Tri-X at EI 3200 and stand developing in Rodinal for two hours, I was anxious to see how well it would work with the smaller 35mm negative and the answer is, not bad at all! Not nearly as grainy as expected, and shooting at 3200 (considered pretty extreme for Tri-X) will allow me to handhold in pretty dim light. Rodinal is indeed a magic potion, not bad for a developer first released in the 1890’s!

Tri-X @ 3200

 

Voigtlander Bessa R 35mm rangefinder, Russian Jupiter 8 50mm/2 lens
Tri-X @ EI 3200, semi-stand developed for two hours @ 20 C
(Gentle agitation every 30 minutes)

The Wider View

This past Sunday was dark and gloomy in Toronto, but I have decided not to let lousy weather interfere with my photography! I went out with my Voigtlander Bessa R rangefinder and 21mm/4 super wide lens and still found some interesting subjects.

Bessa R rescan006

Voigtlander Bessa R 35mm rangefinder
with 21mm/4 Color Skopar lens

Tri-X film @ EI 400 developed in Pyrocat-HD 1+1+100,
15 minutes @ 20 C

Sisters

I’ve had the privilege of working with sisters Sabrina and Rowena recently, and here is an image of them together at Allen Garden’s last Saturday. I think the relationship that sisters have can be a complicated dance. ๐Ÿ™‚

Sabrina and Rowena

Rolleiflex E3, 75mm/3.5 Xenotar lens
Ilford Delta 3200 developed in DD-X for 12.5 minutes @ 20 C

Karen

I first met Karen a number of years ago, when we both had imagesย in an exhibit of photographs from the G20 incident in Toronto. A talented, resourceful and strong woman, she has a lot of presence in front of the camera!

Karen

 

Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X @ EI 800 developed in Diafine
Negative Scanned and post-processed in Lightroom and Nik Efex

Low Light

Shooting was a challenge in terms of light this past Saturday. Indoors at the Allen Gardens on a dreary day it was not very bright. I had one roll left of Delta 3200, and developing it in DD-X (at the time listed for EI 6400, not 3200) gave a look I quite like, wit ha smooth tonal range.

Delta 3200 / DD-X

 

Rolleiflex E3, 75mm/3.5 Xenotar lens
Ilford Delta 3200 film @ EI 3200
Developed in DD-X 1+4, 12.5 minutes @ 20 C

Portrait of the Artist: Natasha

It was lovely to work with Natasha again. Since we last worked together she has discovered she has a great talent for drawing, so a portrait of her makes a nice addition to my long term “Portrait of the Artist” project. In her expression I see the same thing I have been privileged to see in a number of artists: the joy of imagination, and the ability to tap into it. Shot in late afternoon in a fall day with the light rapidly fading, the Tri-X/Diafine combination made this film image possible.

Natasha

 

Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X @ EI 800 developed in Diafine

Dance of the Seasons

On a cold and blustery Saturday, a very brave Rowena was an amazing model for an outdoor dance-themed shoot.

The Dance of the Seasons

 

Rolleiflex E3, 75mm/3.5 Xenotar lens
Kodak Ektar 100 film, negative scanned
and edited with Lightroom and Nik Efex

Two Friends

When I was working with my photographer friend Ed recently, a friend of his came up, with his owner in tow ๐Ÿ™‚

Two friends

 

Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X @ EI 800 developed in Diafine

Sabrina 1

I had the pleasure of working with Sabrina, (the daughter of a theatre friend of mine) on Thursday. As someone with both dance and theatre experience, Sabrina was a natural when it came to posing and expression, and needed next to no instruction.

Sabrina

 

Rolleiflex E3, 75mm/3.5 Xenotar lens
Tri-X, EI 800, developed in Diafine 3+3

Ed

I had the chance yesterday to meet another local Toronto photographer Edward McLaughlin for a portrait shoot, using my Rolleiflex. It was a very dull day weatherwise, so I shot Tri-X at 800 and developed in in Diafine

Ed