This construction equipment outside the ROM seemed to me to be a great collision of lines.
Leica IIIa, 50mm/f1.8 Canon Serenar lens
Kentmere 100 film
Category: architecture
Bridge in Enmax Park, Calgary.
This bridge in Enmax Park in Calgary caught my eye during my last trip out here. The fact it is painted a light colour increases the contrast against a sky darkened by the use of a red filter.
Both images created with my Voigtlander Bessa R2M,
35mm/f2.5 Color Skopar lens with red filter.
Rollei Superpan 200 film
Dappled Light
I love the look of bright sunlight dappled through the trees. This building is on the University of Toronto downtown campus.
Leica IIIa, 50mm/1.8 Canon Serenar lens
Kentmere 100 film
Sunlight in Oakville
Last weekend I met up with my friend Bill Smith in Oakville on the way to a Classic Camera Revival recording session. It was a brilliantly sunny morning, and the look of this building in the bright sun caught my eye.
Leica IIIa, 50mm/f1.8 Canon Serenar lens
Svema Foto 100 film
The Construction Never Ends
In Toronto we often joke about never ending construction. It certainly seems to be the case at Union Station.
Voigtlander Bessa R2M, 50mm/f2 Heliar lens
Rollei SuperPan 200 film
Ramsey Ruins
The Ramsey Ruins in Calgary is an interesting spot that I checked out during my last trip. The combination of red filter and Rollei SuperPan 200 film was used to darken the sky.
Voigtlander Bessa R2M, 35mm/f2.5 Color Skopar lens with red filter
Rollei SuperPan 200 film
Architecture in the Junction
There are some great buildings in the Junction area of Toronto. It’s a shame when they get repurposed as Money Marts 😦
Voigtlander Bessa R, 35mm/2.5 Color Skopar lens
Ilford Delta 100 film
Over the Tracks
On Saturday I paid a return visit to the Junction district in Toronto with my good friend Bill Smith. One spot I really like is the bridge over the railway near Dundas West subway station.
Voigtlander Bessa R2M camera, 35mm/f2.5 Color Skopar lens
Eastman Double X film
Arches
The Royal Ontario Museum is an architectural identity crisis but it does have some nice spots.
Voigtlander Bessa R2M, Eastman Double-X filmÂ
Filtering
I was very happy to see the effect of a yellow filter (meant to adjust contrast and keep blue skies from getting blown out) when using the JCH Streetpan 400 film recently.
Voigtlander Bessa R2M
35mm/f2.5 Color Skopar lens
JCH Streetpan 400 film
My Third Eye 