If you are a resident of Toronto, these images inside the Eaton Centre border on cliche, but it was still fun shooting with the 20mm Nikkor lens.
Nikon F4, 20mm/2.8 Nikkor lens
Tmax 400 film
Category: Analog Film
Two more views of the Police Building in the Toronto Harbour
Combining colour and a wide angle perspective.
Nikon FM, 20mm/2.8 lens
Fuji Velvia 50 E6 slide film
Back to St. James
Recently I returned to St. James Cemetery, this time with my recently acquired 20mm Nikkor wide angle lens. It was bright morning and the low angled sun provided a lot of interesting lighting. All images were taken on a Nikon F4, using Kodak TMax 400 film.
In Front of the Church
I liked how the tree worked with the exaggerated perspective of the 20mm super wide lens.
Nikon N90s, 20mm/2.8 Nikkor lens
Kodak TMax 400 film
Velvia Blue
Today another image from the roll of Velvia 50 slide film I shot recently at the Toronto Harbour. I continued to be amazed at what this film does for skies!
Nikon FM, 20mm/2.8 Nikkor lens
Fuji Velvia 50 slide film
Painting a Building
This building is right next door to Union Station in Toronto, and the combination of time of day, brilliant sunshine and some nearby glass and steel made for some interesting light patterns.
Nikon FM, 20mm/2.8 Nikkor lens
Fuji Velvia 50 slide film
Bokeh Hunting #2
Another image from St. James Cemetery, using my Helios 44/2 58mm/2 lens mounted on my Nikon N90s. Shot on Kodak TMax 400 film.
Bokeh Hunting #1
I am continuing to experiment with my Helios 44/2 58mm f2 lens adapted for the Nikon mount. To get the signature swirly, out of focus bokeh this lens is known for having a suitable background a few feet away from the subject, as well as shooting wide open at f2. This attempt is from St. James Cemetery in Toronto, the subject being a tilted old memorial.
Nikon N90s, Helios 44/2 lens
Kodak TMax 400 film
Slide Film in Toronto Harbour
Today I got a roll of Fuji Velvia 50 slide film back from processing. Such a vivid, intense film, especially for blue skies!
Nikon FM, 20mm/2.8 Nikkor lens
Through a Pinhole #2: In Colour
My exploration of pinhole photography continues. This time I put a roll film adapter on the back of my Speed Graphic 4×5 and shot in colour using Kodak Portra 400 film. The subject is the bridge which spans Taylor Creek Park. Exposures were about 1 minute long.
My Third Eye 