The HMCS Haida is an old Canadian Warship, no longer in service, but located in Hamilton Harbour as an open museum/tourist attraction. While she is being maintained, I still found a sense of age and decay in various details of the ship, painted over time and time again. Still, a fascinating place to take pictures; more to follow.
Don’t get me wrong, I loved being in My Fair Lady, but it was eating into my photography time. With the show now just a very pleasant memory, time to get back to my first love, so this past Saturday I was able to join up with a few other film lovers/APUG members for a photo-walk in Hamilton, Ontario, Canada. The image below was captured using my trusty Mamiya M645J medium format camera, on Ilford Delta 400 film, processed in Xtol 1:1.
Here is an image from my latest photo session for the classic cameras project. Sara was a great model to work with, and she did have one interesting comment, when she said “It’s refreshing to do a photo shoot with my clothes on.” I have never been one to have been objectified based on my physical appearance, but I could understand where she was coming from. The line between “art nude” and soft core porn is indistinct, and every time I think I might try my hand at the art nude genre I have to stop and think; what kind of image would I be making, and would it have anything to say? And can an art nude still recognize the subject as a person, and not just a body?
Here is another shot from the Voigtlander/Kathleen session. Shot on film, but then enhanced using the Nik SilverFX Pro 2 plug-in. This plug-in is meant for making digital pictures look like vintage black and white film, but I find that it is also useful for working with scans of pictures shot with real black and white film. Purists may scoff, but at the end of the day, I got the image I was looking for.
A good rule of thumb is that when shooting a portrait when you have very shallow depth of field, you should make sure the eyes are in focus. This image, taken yesterday during a session with a model for my Women in Camera series, breaks that rule. The camera is in focus, but the model is out of focus. Although this particular image likely will not be the final selection for the series, I do like the effect and the resulting mood of the image, and the model made a great wardrobe choice with the hat, to give me the vintage look I was going for.
I suppose one could say the lens, or “eye” of my Voigtlander Avus folder is in focus so in that sense I’m not cheating 🙂
Posts haven’t been very frequent lately, as I have been very busy appearing in a community theatre production of My Fair Lady here in Toronto. (By the way, tickets still available for this weekend, just click on the link). The thought did occur to me backstage this past weekend that in some ways, film photography is like live theatre; there is always an element of chance involved, and one is never quite sure how things will turn out, and unlike digital, where the LCD screen acts as a security blanket, in film you never know if you’ve been successful until the film is developed after the fact. Along with knowledge and skill, you have to rely on (as Alfred P. Doolittle would say) “Faith, Hope and a little bit of luck”. Today’s picture of a bike in downtown Toronto, taken with a defective Rolleicord Twin Lens Reflex camera (sold for scrap after shooting only one roll successfully and replaced with a better example) to me is an example of this idea. The picture isn’t perfect, but I got just enough luck to make it work. 🙂
Here is my first picture (a close up of a shell) from my Voigtlander Avus, a folding camera (9×12 cm plate) almost a century old. Something that really struck me was three sentences from the manual:
“Each camera is supplied with 3 three plate holders. When going on a day’s trip six holders may be required. On longer journeys twelve may be required.”
When you consider that each plate holder only holds one exposure, the importance of a thoughtful, selective approach to photography is really underscored. Imagine going out with a DSLR and only one memory card, with a capacity of six images.
An interesting exercise, to be sure.
Here is the cyanotype version of my first image in the women and classic film cameras series. I am hand coating the paper with the cyanotype solution, so the brush marks will make every print unique. I like that 🙂
Another cyanotype this time around. This picture was made at the Riverdale Zoo in Toronto, again using my Rolleicord Twin-Lens Reflex. I created a digital negative and then made the cyanotype below. The paper has a fairly coarse texture, and I like the effect it has on the image. Just one more reason why it matters to see a print in your hands, not just pixels on a screen.
I like this image because of its ambiguity. To me it looks like it could have been made anytime over the last ninety years or so; there isn’t much in the picture that would give the actual date it was taken. (For the record, I made this image just this month, with my Rolleicord Vb Twin-Lens Reflex medium format camera.)
The viewer gets to fill in the blanks, and there are no wrong answers.
My Third Eye 