This is Danielle, a young model I had the pleasuring of working with in downtown Toronto last weekend. We were shooting at an abstract sculpture near Roy Thompson Hall, and she suggested shooting through some holes in one of the panels of the sculpture. I wasn’t sure how it would turn out, but now I’m pretty happy with the results, especially this image: the fact that so much is obscured really seems to focus what we can see of her eyes and expression.
“And I will put enmity between you and the woman, and between your seed and her seed;
he shall bruise your head, and you shall bruise his heel.”
– Genesis, 3:15
Note: today’s photo is NSFW (not safe for work – partial nudity) so I am just posting a link instead of embedding the image: Karen and Penelope .
It was most interesting to work with Karen and her pet snake Penelope — I observed the complete opposite of the common aversion many women (and men!) have towards snakes. Penelope the snake emphasizes lines and curves on a model with a strikingly modern look, in a vintage inspired photograph.
(Photo taken with Mamiya M645 Pro TL, 80mm f2.8 lens, Fomapan 100 film developed in HC-110, dilution H for 7.5 minutes)
I think I will be starting a torrid, complicated affair with a new mistress. Now before I go any further I should say that the mistress in question is a film, Kodak SO-331, a special purpose black and white film that I picked up in a one thousand foot reel.
SO-331 is a tempestous, challenging and alluring film: very slow speed, but changeable based on lighting/contrast, and very difficult to develop without getting touch much contrast. This is meant to be a high contrast film, so to be successful and show proper tonality, it must be convinced to be something it isn’t.
Like a lover, this film can be coy, difficult and demanding — showing flashes of the magic it can create, while at other times stubbornly refusing to cooperate.
I only have the one bulk roll of this film, and it may be hard to get more, so like many affairs, when it’s over it will be over, but hopefully with many great photographs and memories.
Today (the opening night of Man of La Mancha in which I play the Governor and the Innkeeper) seemed like the perfect day to post this image of model Léah, who wanted a portrait that pays tribute to her hero, twentieth century French singer and icon Édith Piaf. I have to admit I didn’t know much about Édith before working with Léah (I had heard La Vie en Rose, but hadn’t made the connection), but in reading about her, listening to her music and watching performances on YouTube I was struck by how this tiny (4 foot 8 inch tall) woman had such a powerful, commanding stage presence, and how her essentially tragic life is transmuted into the emotional intensity of her singing. She literally put everything she had, and everything she was into her performance. As an amateur actor who clearly has so so much to learn, I can really take a lesson from her life and music.
Something different this time around — tack sharp and in colour, taken with my Contax IIIa rangefinder 50mm Jupiter 8 lens and some 400 speed Fuji color negative film. I was struck by the colours and geometric patterns, as if I stumbled onto a piece of abstract art. 
Today’s image is the latest in a series taken with vintage 35mm gear (either my Leica or Contax 35mm rangefinder). This image was taken with my Contax IIIa, and Russian Jupiter 8 52mm lens (Damn it’s sharp!!).
The real drama with this image began with the film development though. I have a number of bulk loaders (so I can save money by buying film in 100 ft. lengths and “rolling my own”). I had thought this film was Fomapan 100, one of my favourite films in medium format. When it is developed, its anti-halation coating is dissolved and turns the developer a cheerful shade of green when it is poured out of the tank. When I started pouring out the developer this time around though, it came out clear, meaning it wasn’t the film I though it was. I immediately stopped pouring out the developer, topped it the tank with water, did some mental math and added 75% more development time.
I dodged a bullet, and everything came out OK. (Perhaps a tad more grain than optimal, but I’ll take it). The sad thing is that the film has no edge markings identifying what brand/type it is, but at least in the future I know how to develop it. 🙂
I don’t think I have posted anything from this session for the “Broken” project yet. It features the tricycle featured in a recent blog post. The way the model worked herself into the tricycle reminded me a bit of Charlin Chaplin in Modern Times, as he seemed to become part of the machine.
Today’s image is the second in my project of portraiture taken using vintage 35mm equipment. This specific image was taken using an early 1950’s Contax IIIa rangefinder, coupled with a Soviet Jupiter-8 normal lens. The inherent sharpness of this lens was just what I wanted for this look, while still keeping a vintage feel.
Today’s image was taken last weekend, when the Cherry blossoms in High Park, Toronto were briefly in bloom. In this image, I was going for a luminous look, like being inside a watercolour painting.
(Nikon F3, Vivitar 70-210mm Series I zoom lens, Fujicolor Colour negative film)
Today’s image is the first from my new project “Old Friends” Originally the concept of the project was images of two people who had been friends for 25 years or more, but the parameters of the project have broadened, bringing new opportunities and challenges. In this image, we have Mallory, Kendra and Caitlin, friends since high school. It was a fun evening of shooting, a lot of laughter, talk and general positive vibes, with very strong connections of friendship between the three, and hopefully I caught that here.
My Third Eye 