Category: Analog Film

Revisiting the Cemetery

I’ve been to the St. James Cemetery in Toronto a few times to shoot, and I went again this past Saturday. It was a dull day, but the combination of EDU 400 film (from The Film Photography Project) and TMax developer brought out some nice light.

In the Graveyard

 

Voigtlander Bessa R Rangefinder, 15mm/4.5 Voigtlander Super Heliar lens
EDU 400 film developed in Tmax Developer 1+9 for 12 minutes @ 20 C

Finally a New Photograph!

Preparing for the show, so little time for new photos, finally got a roll developed today. A couple of weeks ago I was at Koerner Hall in Toronto to take in an amazing concert. It is a lovely hall, so I decided to take a chance with a photograph. No flash of course so I had to use a shutter speed of 1/8th of a second. Pleasantly surprised!

Before the concert

 

 

Voigtlander Bessa R, 15mm/4.5 Voiglander Heliar lens
FPP EDU 400 film, developed in Tmax 1+9 for 12 minutes @ 20 C

Show Information

One of the ironies of preparing for a photography exhibit is that I don’t have much time for new photography, so it has been a little quiet here. I do have a shoot tomorrow so there will be some new images finally!

I do want to post so more information on the show so here is the link to the show page:

The Silver Path

Three for the Show

My mission tonight is to make 11″ by 14″ prints of these images taken yesterday at the bitterly cold shores of Lake Ontario. I was very happy at how the images turned out, so I think they merit a place in my upcoming photo exhibition. All three were taken with my Pentax 6×7 medium format camera, an oversized beast that  works well in gloved hands 🙂 I shot one roll of my limited stock of Kodak Plus-X film ,sadly no longer made.

Toronto Beaches, -22 C

Toronto Beaches, -22 C

Toronto Beaches, -22 C

Adriana Through the Helios 44/2

Today, two images from my Allan Gardens shoot with my good friend Adriana this past Saturday. These images are from a roll of Tri-X shot on a Pentax Spotmatic with one of my Helios 44/2 58mm lenses. A classic camera, classic film and a classic lens came together nicely, and Adriana’s expressions were classic as well!

Adriana film 2

Adriana film 1

Another Shoot With Naima

On Sunday I had another shoot with Naima, this time outdoors on a decidedly chilly day, in the ravine near Yonge and St. Clair. Naima was a real trooper and did not let the cold get in the way of a great shoot.

Naima

 

Zenit 3m 35mm SLR, Helios 44/2 58mm f2 lens
Tri-X @ EI 800, developed in Diafine 3 + 3

Backstage

This past Friday evening I photographed actor Justin Miller’s transformation into his character Pearle Harbour. Along with the digital images, I shot a roll of Tri-X at EI 800 on my Bessa R rangefinder, with my late 50’s-era Canon Serenar 50mm/1.8 lens. I was shooting wide-open at f1.8, at 1/30th of second, and I like the available light look of the image.

Justin Miller

Justin Miller

Justin Miller

A Lonely Stone

I was at the St. James Cemetery this past Sunday morning, testing out a Zorki 4 (a Soviet era rangefinder) with an Industar-22 lens. The cemetery is a mature one, fairly full, but there is this one stone alone, isolated. I wonder why?

Lonely gravestone

 

Zorki 4, Industar-22 50mm/3.5 lens
Svema Foto 200 film, developed in Pyrocat-HD,
1+1+100, 16 minutes @ 20 C

Another Image with the Kiev and Jupiter 12

In Taylor Creek Park there is a lot of interesting fallen wood, almost like driftwood writ large, but there is no lake or ocean around. This log has caught my eye on more than one occasion.

Kiev plus Jupiter 12

 

Kiev IIIa, Jupiter 12 35mm/2.8 lens,
Svema Foto 200 film developed in Pyrocat-HD,
1+1+100 fo 16 minutes @ 20 C

 

Naima Act II: Film

Today, more images of Naima, created with one of the film cameras I used at the shoot: an early 60’s ere Zenit 3M, with the Helios 44/2  58mm f2 lens that is becoming my new best friend as far as portraiture is concerned. As for Naima, she has a look in these images that to me has an Old World sensibility that I like. Both images were shot on Tri-X, developed in Diafine. Lighting was done with a late 50’s movie light, through a lighting umbrella

Naima on film

Naima on film