Category: 35mm

Solitary Space

At the Art Gallery of Ontario, another large space marked by a solitary individual.

Solitary Figure

 

Voigtlander Bessa L 35mm camera, 21mm/4 Voigtlander Color Skopar lens
Tri-X at Box speed, developed in Pyrocat 1+1+100, 15 min. @ 20 C 

Inside the AGO

I love this space inside the AGO (Art Gallery of Ontario)

Inside the AGO

 

Voigtlander Bessa L 35mm camera,
21mm/4 Voigtlander 21mm/4 Color Skopar lens
Tri-X at box speed, developed in Pyrocat-HD developer
1+1+100 for 15 minutes @ 20 C

Bleak

In my mind, there aren’t many things as bleak as modern architecture on a cold day, a space normally full of people, empty except for one figure, back turned, anonymous.

University of Toronto

 

Voigtlander Bessa R, 50mm/2 Jupiter 8 lens
Trix-X @ EI 400 developed in Pyrocat-HD 1+1+100 15 minutes @ 20 C

One more from Taylor Creek

One of image from Taylor Creek, on the roll of Tri-X pushed to EI 3200. Again I am suprised at how little grain is apparent, although the subject matter probably helps!

Tri-X @ 3200

 

Voigtlander Bessa R, 50mm/2 Jupiter 8 lens.
Tri-X developed on Rodinal 1+100 @ 20 for two hours,
semi-stand (gentle agitation every 30 minutes, initial one minute agitation)

At the Extreme

After having recently had success with shooting medium format Tri-X at EI 3200 and stand developing in Rodinal for two hours, I was anxious to see how well it would work with the smaller 35mm negative and the answer is, not bad at all! Not nearly as grainy as expected, and shooting at 3200 (considered pretty extreme for Tri-X) will allow me to handhold in pretty dim light. Rodinal is indeed a magic potion, not bad for a developer first released in the 1890’s!

Tri-X @ 3200

 

Voigtlander Bessa R 35mm rangefinder, Russian Jupiter 8 50mm/2 lens
Tri-X @ EI 3200, semi-stand developed for two hours @ 20 C
(Gentle agitation every 30 minutes)

Revisiting

I have shot this scene before (an alley in Toronto’s Kensington Market), but it has a very different look in black and white, with a very wide angle lens.

Kensington Alley

 

Voigtlander Bessa R 35mm rangefinder, 21mm/4 Voigtlander Color Skopar lens
Trix-X @ EI 400 developed in Pyrocat-HD 1+1+100 15 minutes @ 20 C

Words and Images

I found this scene recently and was struck by the ironic contrast between the mural art and the words in the image, especially if one disregards the context of the words. Given recent events in the U.S. the irony becomes bitter.

Collision of words and image

 

Voigtlander Bessa R, 21mm/4 Voigtlander Color Skopar lens
Trix-X @ EI 400 developed in Pyrocat-HD 1+1+100 15 minutes @ 20 C

The Wider View

This past Sunday was dark and gloomy in Toronto, but I have decided not to let lousy weather interfere with my photography! I went out with my Voigtlander Bessa R rangefinder and 21mm/4 super wide lens and still found some interesting subjects.

Bessa R rescan006

Voigtlander Bessa R 35mm rangefinder
with 21mm/4 Color Skopar lens

Tri-X film @ EI 400 developed in Pyrocat-HD 1+1+100,
15 minutes @ 20 C

I Keep Coming Back

There are places in Toronto I keep coming back to for photography: Kensington Market, The Beaches, the ravine near St. Clair/Yonge, the Lower Don Valley, and of course High Park, where I was yesterday. A cold, rather dreary day, but still plenty to photograph!

November in High Park

 

Voigtlander VITO B 35mm camera, 50mm/3.5 Color Skopar lens
Svema Foto 200 film developed in Pyrocat HD, 1+1+100 for 15.5 min. @ 20 C 

Softness

Another image created with my Zeiss Sonnar 50/1.5 lens (on my Contax IIIa rangefinder). At a wide aperture (in this case f2) this is not a sharp lens, and it has a focus shift that makes it a challenge to work with. I do like its atmosphere though.

Squirrel

 

Contax IIIa, Zeiss Sonnar 50mm/1.5 lens
Svema Foto 100 film, developed in Xtol 1+1 for 10 minutes @ 20 C