I’ve always found the outdoor/above ground subway stations in Toronto fascinating, especially ones (like Rosedale station below) on the oldest part of what is now called Line 1.
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak TMax 100
I recently shot some colour film at Bluffer’s Beach in Scarborough. It was a interesting morning light, with a layer of thin, hazy cloud.
Mamiya RZ67, Kodak Ektar 100 film
Another fine grain film I tried recently is Agfa Copex Rapid. It is similar to Adox CMS 20 II.
Hasselblad 500C/M, 80mm/f2.8 Planar lens
Agfa Copex Rapid film , developed in Rodinal 1+100, 20 minutes
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak TMax 100 film
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak TMax 100 film
Adox CMS 20 II is basically a high contrast ultra fine grain microfilm stock that can be used as a continuous tone film when developed with special developers. The main developer for this film (Adotech) tends to be expensive so photographers are always looking for other options. In this case I tried Rollei RLC Low contrast developer, itself not cheap but I had some around. It was a very bright day, almost unfair for this film but I did get some usable images.
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Adox CMS 20 II film, Rollei RLC Low Contrast developer,
1+19 15 minutes @ 24 C
Note: Check out my latest episode of MPP (My Photography Podcast) where I talk with urban explorer photographer Giovanni Geo Romolo!
Taken at Brunch this past Sunday. I love mirrors and window frames!
iPhone 6+, Hipstamatic App
To be honest, I did not feel particularly safe on these stairs in Elora, it was a rainy day and the stone steps were slippery.
Voigtlander Bessa R2M, 35mm/f1.7 Ultron lens
Kodak TMax 400 film
Voigtlander Bessa R2M, 35mm/f1.7 Ultron,
Adox CMS 20 II film
This image is from a shuttered building in Elora. My eyes were drawn to the lines and the various textures.
Hasselblad 500CM, 80mm/f2.8 Planar lens
RPX 400 film developed in Microdol-X, 1+1
My Third Eye 