Thus performer had a great voice, and his performance was connecting with passersby in a way that street performances often do not.
Voigtlander Bessa R2M, 35mm/f1.7 Ultron lens
Tri-X film @ EI 3200, 2 hour semi-stand development in Rodinal 1+100
Author: johnmeadowsphotography
An amateur photographer in Toronto, Ontario, Canada
Persistance
Voigtlander Bessa R2M, 35mm/f1.7 Ultron lens
Kodak TMax 400 film developed in Microdol-X
Fall in Toronto
It’s not always pretty colours.
Rolleiflex 3.5E3 (Xenotar lens)
Ilford Pan F Plus film
Needs Paint
I like the combination of Ilford HP5 Plus and Microdol-X Developer (I am using vintage packets of the latter; once it’s gone it’s gone so I will need to switch to the equivalent from other suppliers). It was a very dull day light-wise in the Beaches recently when I shot this but film/developer combination managed to pick out enough contrast.
Hasselblad 500CM, 50mm/f4 Distagon lens
Ilford HP5+ film, developed in stock Microdol-X
Last of the Series
This is my last image of the recent series of night images. But likely more to come!
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak Tri-X film @ EI 3200
2 hour semi-stand development in Rodinal
Carousel
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak Tri-X @ 3200, 2 hour semi-stand development in Rodinal
Outside
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak Tri-X @ EI 3200, 2 hour stand developed in Rodinal
Bright Lights
The bright lights at the Christmas Market overwhelmed the exposure (I knew I would happen) but I like the effect.
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak Tri-X @ EI 3200, 2 hour semi-stand development in Rodinal
I’ve Stared At The Bright Lights
There is a song by The Rankin Family called The Fisherman’s Son, that contains the line: “I stared at the bright lights the dark city ways” and that line comes to mind when I look at this image of King street in the Theatre District at night recently.
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak Tri-X film shot at E.I. 3200
2 hour semi-stand development in Rodinal
Night Street
The first of a few more images of Toronto at night, shot on Tri-X, pushed to EI 3200.
Voigtlander Bessa R2M, 35mm/f.17 Voigtlander Ultron lens
Kodak Tri-X film, E.I. 3200, 2 hour semi-stand development in Rodinal 1+100
My Third Eye 