This past weekend on another gloriously sunny day I went out to do some more infrared shooting; I am definitely binging!
Rolleiflex E3, 75mm/3.5 Xenotar lens with IR72 Infrared filter.
Exposure 1/2 second @f16
Rollei Retro 80s film,
developed in Rodinal 1+50 for 14 minutes @ 20 C
Yesterday I went down to the Beaches with a couple of cameras loaded wih EFKE 820 Aura infrared film. This film is no longer made, and the remaining rolls are fetching high prices on eBay etc. I had three rolls of this stock, two years past date and not cold-stored, so there is no way the film should have worked, but it did 🙂
Rolleiflex E3, 75mm/3.5 Xenotar lens with IR72 filter
One second exposure @ fll
It is nice to combine a familiar location (Guildwood Park in Scarborough) with a model and collaborator I have worked with many times (Cate). Except for a million flying insects, last Monday was a great day for shooting.
Nikon D7100, 50mm/1.8 Nikkor D lens
Post editing in LightRoom and Nik Efex
This tree is found in High Park, Toronto, and I’ve always found it most interesting. I like the way it is captured by an ultra-wide lens.
Voigtlander R 35mm rangefinder, 15mm/4.5 Super-Heliar lens
Svema Foto 125 Colour C-41 film
This past Saturday I went to nearby Taylor Creek Park to shoot some Rollei Retro 80s film (with my Rolleiflex). One of the advantages of this film is that if you use an infrared filter (such as an IR 72 that looks almost completely opaque to the naked eye) you can do infrared photography, and I just love the ghostly, otherworldly look you get when doing this.
The Rolleiflex is a perfect camera for infrared: as a twin lens reflex camera, the viewing lens is not covered by the filter so focussing is never an issue. On a single lens reflex camera, the filter must keep coming off (for focusing/composition) and on (shooting).
All images taken with Rolleiflex E3, 75mm/3.5 Xenotar lens with IR72 filter
Exposure 1/2 to 1 second @ f16, on Rollei Retro 80s film
Film developed in Rodinal 1+50 for 14 minutes @ 20 C
It struck me in a moment of after-the-fact obviousness that my images of Brent needed to be in my Portrait of the Artist series. As a podcaster and video game designer, Brent has a lot of creative depth, and as I work more with the vintage Petzval lens for portrait work, to my eyes it is a great lens for capturing the depth of a person’s character, and Brent does have a lot of depth and character!
All images were created with my Speed Graphic 4×5, shot on EFKE Ortho 25 film.
Last Thursday in the early evening I was shooting at the Beaches, with my Rolleiflex, a yellow filter and some Ilford Pan F and HP5+ film. The light was amazing, and I did my best to capture it. This post shows four of the Ilford Pan F examples.
(You knew there was going to be a gazebo picture in there . . .)
A couple of weeks ago I was in the Art Gallery of Ontario to see a couple of exhibitions, and I had a camera with me. The second floor is a bright, warm and fascinating space, and the day was perfect to capture it with some colour film.
Voigtlander L 35mm body, 15mm/4.5 Voigtlander Super-Heliar lens,
Svema Foto-125 C-41 film
Yes, I like shooting gazebos! They have such an interesting geometry about them that I can’t resist, and there is no 12 step program for this particular architectural fetish 🙂
I’m also spending more time shooting large format, and enjoying the slower, more thoughtful process.
4×5 Speed Graphic, 127mm/4.7 Ektar lens.
FP4+ developed in HC-110 Dilution B, 7 minutes @ 20 C
In addition to shooting the 1860’s lens last Sunday in the Beaches, I also shot a comparatively more modern lens on the Speed Graphic: my 127mm/4.7 Ektar. I need to spend more time with this lens!
Speed Graphic, 127mm/4.7 Ektar lens.
Ilford FP4+ film developed in HC110, Dil. BN for 7 minutes @ 20 C
My Third Eye 