I like this bench (at a Park near the Beaches). At some point I will need to go back with a view camera and stop right down to get it all sharp.
Rolleiflex 3.5E3 (Xenotar)
Rollei RPX 25 film, developed in Rodinal (Adonal) 1+50
My wife Janice belongs to the early music ensemble Sine Nomine, and last night they put on a concert of 14th century music at St. Thomas’ Church in Toronto. I had a chance to take a couple of images with the Hipstamatic: one of some of the instruments used, and the other of the Bapistry at the back of the church.

I had the pleasure of working with friend and frequent creative collaborator Jennifer Bettencourt this past weekend. In addition to being a talented model, Jennifer is also an accomplished fadista, or singer of Portuguese Fado music. The shoot was inspired by Fado legend Amália Rodrigues, a we were going for a fairly formal look, with some intensity.
Rolleiflex 3.5E3 (Xenotar lens)
Tri-X, developed in Ilfosol 3 1+9
The Hipstamatic app on my iPhone will always in one sense be a guilty pleasure, as its affects are digital recreations of classic photographic techniques; my favourite are the wet plate / tintype effects. While no substitute for the real thing, it’s hard to imaging bringing a view camera and a portable darkroom in Podcamp Toronto 2016 yesterday to take a quick portrait of my friend Sylvain.